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Today's Stichomancy for Kate Beckinsale

The first excerpt represents the past or something you must release, and is drawn from Bucky O'Connor by William MacLeod Raine:

plain that he considered the issue no responsibility of his.

Anderson stared at him in silent horror, moistening his dry lips with the tip of his tongue. Once his gaze shifted to the sheriff but found small comfort there. Collins had picked up a newspaper and was absorbed in it.

"Are you going to let him kill me?" the man asked him hoarsely.

He looked up from his newspaper in mild protest at such unreason. "Me? I ain't sittin' in this game. Seems like I mentioned that already."

"Better not waste your time, signor, on side issues," advised the man behind the gun. "For I plumb forgot to tell you I'm allowing

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Euthyphro by Plato:

with them. Are all these tales of the gods true, Euthyphro?

EUTHYPHRO: Yes, Socrates; and, as I was saying, I can tell you, if you would like to hear them, many other things about the gods which would quite amaze you.

SOCRATES: I dare say; and you shall tell me them at some other time when I have leisure. But just at present I would rather hear from you a more precise answer, which you have not as yet given, my friend, to the question, What is 'piety'? When asked, you only replied, Doing as you do, charging your father with murder.

EUTHYPHRO: And what I said was true, Socrates.

SOCRATES: No doubt, Euthyphro; but you would admit that there are many

The third excerpt represents the future or something you must embrace, and is drawn from Allan Quatermain by H. Rider Haggard:

your mouth,' I whispered again, giving him the rag; 'and if I hear another sound you are a dead man.' I knew that that would stifle the clatter of his teeth. I must have looked as if I meant what I said, for he instantly obeyed me, and continued his journey in silence.

Then we crept on again.

At last we were within fifty yards of the kraal. Between us and it was an open space of sloping grass with only one mimosa bush and a couple of tussocks of a sort of thistle for cover. We were still hidden in fairly thick bush. It was beginning to grow light. The stars had paled and a sickly gleam played


Allan Quatermain