The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Essays of Travel by Robert Louis Stevenson: wearied listening to the details of a workman's economy, because
every item stood for some real pleasure. If he could afford pudding
twice a week, you know that twice a week the man ate with genuine
gusto and was physically happy; while if you learn that a rich man
has seven courses a day, ten to one the half of them remain untasted,
and the whole is but misspent money and a weariness to the flesh.
The difference between England and America to a working man was thus
most humanly put to me by a fellow-passenger: 'In America,' said he,
'you get pies and puddings.' I do not hear enough, in economy books,
of pies and pudding. A man lives in and for the delicacies,
adornments, and accidental attributes of life, such as pudding to eat
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: the public revenue for the playing of those pieces of mine which no
merchant will touch, seeing that his gain is so much greater with the
worse than with the better. Thereby you shall also encourage other
men to undertake the writing of plays who do now despise it and leave
it wholly to those whose counsels will work little good to your realm.
For this writing of plays is a great matter, forming as it does the
minds and affections of men in such sort that whatsoever they see done
in show on the stage, they will presently be doing in earnest in the
world, which is but a larger stage. Of late, as you know, the Church
taught the people by means of plays; but the people flocked only to
such as were full of superstitious miracles and bloody martyrdoms; and
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