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Today's Stichomancy for Kate Moss

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Taming of the Shrew by William Shakespeare:

the score for sheer ale, score me up for the lyingest knave in Christendom. What! I am not bestraught. Here's--

THIRD SERVANT. O! this it is that makes your lady mourn.

SECOND SERVANT. O! this is it that makes your servants droop.

LORD. Hence comes it that your kindred shuns your house, As beaten hence by your strange lunacy. O noble lord, bethink thee of thy birth, Call home thy ancient thoughts from banishment,


The Taming of the Shrew
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Macbeth by William Shakespeare:

That had he Duncans Sonnes vnder his Key, (As, and't please Heauen he shall not) they should finde What 'twere to kill a Father: So should Fleans. But peace; for from broad words, and cause he fayl'd His presence at the Tyrants Feast, I heare Macduffe liues in disgrace. Sir, can you tell Where he bestowes himselfe? Lord. The Sonnes of Duncane (From whom this Tyrant holds the due of Birth) Liues in the English Court, and is receyu'd Of the most Pious Edward, with such grace,


Macbeth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rape of Lucrece by William Shakespeare:

To this well-painted piece is Lucrece come, To find a face where all distress is stell'd. Many she sees where cares have carved some, But none where all distress and dolour dwell'd, Till she despairing Hecuba beheld, Staring on Priam's wounds with her old eyes, Which bleeding under Pyrrhus' proud foot lies.

In her the painter had anatomiz'd Time's ruin, beauty's wrack, and grim care's reign: Her cheeks with chops and wrinkles were disguis'd; Of what she was no semblance did remain:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Protagoras by Plato:

come to see you.

Do you wish, he said, to speak with me alone, or in the presence of the company?

Whichever you please, I said; you shall determine when you have heard the purpose of our visit.

And what is your purpose? he said.

I must explain, I said, that my friend Hippocrates is a native Athenian; he is the son of Apollodorus, and of a great and prosperous house, and he is himself in natural ability quite a match for anybody of his own age. I believe that he aspires to political eminence; and this he thinks that conversation with you is most likely to procure for him. And now you can