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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Deserted Woman by Honore de Balzac:

all that lies below the surface; and after the first step has been taken, the chances of failure and success in the difficult task of pleasing them are about even. In this particular case, moreover, the Vicomtesse, besides the pride of her position, had all the dignity of her name. Her utter seclusion was the least of the barriers raised between her and the world. For which reasons it was well-nigh impossible that a stranger, however well born, could hope for admittance; and yet, the next morning found M. de Nueil taking his walks abroad in the direction of Courcelles, a dupe of illusions natural at his age. Several times he made the circuit of the garden walls, looking earnestly through every gap at the closed shutters or

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

emotions than all the living men I ever coquetted with; he constantly recurs to my mind."

"What was his name?" asked the marquise.

"Oh! a very common one: Michel Chrestien."

"You have done well to tell me," said Madame d'Espard, eagerly. "I have often heard of him. This Michel Chrestien was the intimate friend of a remarkable man you have already expressed a wish to see,--Daniel d'Arthez, who comes to my house some two or three times a year. Chrestien, who was really killed at Saint-Merri, had no lack of friends. I have heard it said that he was one of those born statesmen to whom, like de Marsay, nothing is wanting but opportunity to become

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from House of Mirth by Edith Wharton:

the first time utterly alone. No one looked at her, no one seemed aware of her presence; she was probing the very depths of insignificance. And under her sense of the collective indifference came the acuter pang of hopes deceived. Disinherited--she had been disinherited--and for Grace Stepney! She met Gerty's lamentable eyes, fixed on her in a despairing effort at consolation, and the look brought her to herself. There was something to be done before she left the house: to be done with all the nobility she knew how to put into such gestures. She advanced to the group about Miss Stepney, and holding out her hand said simply: "Dear Grace, I am so glad."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Adieu by Honore de Balzac:

Nerville. The great centennial oaks of the forest which encircled the dwelling made the place an absolute solitude. The main building, formerly occupied by the monks, faced south. The park seemed to have about forty acres. Near the house lay a succession of green meadows, charmingly crossed by several clear rivulets, with here and there a piece of water naturally placed without the least apparent artifice. Trees of elegant shape and varied foliage were distributed about. Grottos, cleverly managed, and massive terraces with dilapidated steps and rusty railings, gave a peculiar character to this lone retreat. Art had harmonized her constructions with the picturesque effects of nature. Human passions seemed to die at the feet of those great trees,