| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson: width of interest, and the equals of his father in mild urbanity of
disposition. Show Fleeming an active virtue, and he always loved
it. He went away from that house struck through with admiration,
and vowing to himself that his own married life should be upon that
pattern, his wife (whoever she might be) like Eliza Barron, himself
such another husband as Alfred Austin. What is more strange, he
not only brought away, but left behind him, golden opinions. He
must have been - he was, I am told - a trying lad; but there shone
out of him such a light of innocent candour, enthusiasm,
intelligence, and appreciation, that to persons already some way
forward in years, and thus able to enjoy indulgently the perennial
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Misalliance by George Bernard Shaw: make it known?
TARLETON. You read a good deal, dont you?
THE MAN. What if I do? What has that to do with your infamy and my
mother's doom?
TARLETON. There, you see! Doom! Thats not good sense; but it's
literature. Now it happens that I'm a tremendous reader: always was.
When I was your age I read books of that sort by the bushel: the Doom
sort, you know. It's odd, isnt it, that you and I should be like one
another in that respect? Can you account for it in any way?
THE MAN. No. What are you driving at?
TARLETON. Well, do you know who your father was?
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Connecticut Yankee in King Arthur's Court by Mark Twain: should seem to consider me a spectacle, and totally
overlook her own merits in that respect, was another
puzzling thing, and a display of magnanimity, too,
that was surprising in one so young. There was food
for thought here. I moved along as one in a dream.
As we approached the town, signs of life began to
appear. At intervals we passed a wretched cabin, with
a thatched roof, and about it small fields and garden
patches in an indifferent state of cultivation. There
were people, too; brawny men, with long, coarse, un-
combed hair that hung down over their faces and made
A Connecticut Yankee in King Arthur's Court |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: all, is felt to be alchemic in its power to change. A
drunkard takes the pledge; it will be strange if that does not
help him. For how many years did Mr. Pepys continue to make
and break his little vows? And yet I have not heard that he
was discouraged in the end. By such steps we think to fix a
momentary resolution; as a timid fellow hies him to the
dentist's while the tooth is stinging.
But, alas, by planting a stake at the top of flood, you
can neither prevent nor delay the inevitable ebb. There is no
hocus-pocus in morality; and even the "sanctimonious ceremony"
of marriage leaves the man unchanged. This is a hard saying,
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