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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from War and the Future by H. G. Wells:

novel development of the modern offensive. Of course neither the Tanks nor their very obvious next developments going to wrest the decisive pre-eminence from the aeroplane. The aeroplane remains now more than ever the instrument of victory upon the western front. Aerial ascendancy, properly utilised, is victory. But the mobile armoured big gun and the Tank as a machine-gun silencer must enormously facilitate an advance against the blinded enemy. Neither of them can advance against properly aimed big gun fire. That has to be disposed of before they make their entrance. It remains the function of the aeroplane to locate the hostile big guns and to direct the /tir de

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Passion in the Desert by Honore de Balzac:

sky, not a breath in the air, not a flaw on the bosom of the sand, ever moving in diminutive waves; the horizon ended as at sea on a clear day, with one line of light, definite as the cut of a sword.

The Provencal threw his arms round the trunk of one of the palm trees, as though it were the body of a friend, and then, in the shelter of the thin, straight shadow that the palm cast upon the granite, he wept. Then sitting down he remained as he was, contemplating with profound sadness the implacable scene, which was all he had to look upon. He cried aloud, to measure the solitude. His voice, lost in the hollows of the hill, sounded faintly, and aroused no echo--the echo was in his own heart. The Provencal was twenty-two years old:--he

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Modeste Mignon by Honore de Balzac:

Your servant, O. d'Este M.

"The little mischief! how she abuses her privileges," cried La Briere; "but isn't she frank!"

No young man can be four years private secretary to a cabinet minister, and live in Paris and observe the carrying on of many intrigues, with perfect impunity; in fact, the purest soul is more or less intoxicated by the heady atmosphere of the imperial city. Happy in the thought that he was not Canalis, our young secretary engaged a place in the mail-coach for Havre, after writing a letter in which he announced that the promised answer would be sent a few days later,-- excusing the delay on the ground of the importance of the confession


Modeste Mignon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lesson of the Master by Henry James:

reflexions, some of them mitigating. But she presently added: "Ah perfection, perfection - how one ought to go in for it! I wish I could."

"Every one can in his way," her companion opined.

"In HIS way, yes - but not in hers. Women are so hampered - so condemned! Yet it's a kind of dishonour if you don't, when you want to DO something, isn't it?" Miss Fancourt pursued, dropping one train in her quickness to take up another, an accident that was common with her. So these two young persons sat discussing high themes in their eclectic drawing-room, in their London "season" - discussing, with extreme seriousness, the high theme of perfection.