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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne:

an existence drives these poor creatures to the sacrifice much more than love or religious fanaticism. Sometimes, however, the sacrifice is really voluntary, and it requires the active interference of the Government to prevent it. Several years ago, when I was living at Bombay, a young widow asked permission of the governor to be burned along with her husband's body; but, as you may imagine, he refused. The woman left the town, took refuge with an independent rajah, and there carried out her self-devoted purpose."

While Sir Francis was speaking, the guide shook his head several times, and now said: "The sacrifice which will take place to-morrow at dawn


Around the World in 80 Days
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

mothers, intending to take possession of the country with the remaining young women and girls.

But this succession of misfortunes was too much for those infuriated virgins. There were many of them, and but few of these would-be masters, so the young women, instead of submitting, rose in sheer desperation and slew their brutal conquerors.

This sounds like Titus Andronicus, I know, but that is their account. I suppose they were about crazy--can you blame them?

There was literally no one left on this beautiful high garden land but a bunch of hysterical girls and some older slave women.

That was about two thousand years ago.


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jane Eyre by Charlotte Bronte:

With anxiety I watched his eye rove over the gay stores: he fixed on a rich silk of the most brilliant amethyst dye, and a superb pink satin. I told him in a new series of whispers, that he might as well buy me a gold gown and a silver bonnet at once: I should certainly never venture to wear his choice. With infinite difficulty, for he was stubborn as a stone, I persuaded him to make an exchange in favour of a sober black satin and pearl-grey silk. "It might pass for the present," he said; "but he would yet see me glittering like a parterre."

Glad was I to get him out of the silk warehouse, and then out of a jewellers shop: the more he bought me, the more my cheek burned


Jane Eyre
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tarzan of the Apes by Edgar Rice Burroughs:

pushed inward by someone from without.

Quickly and silently he stepped toward the door, but, as he reached for the knob to throw it open, his wife's hand fell upon his wrist.

"No, John," she whispered. "They do not wish to be seen, and so we cannot afford to see them. Do not forget that we are keeping to the middle of the road."

Clayton smiled and dropped his hand to his side. Thus they stood watching the little bit of white paper until it finally remained at rest upon the floor just inside the door.

Then Clayton stooped and picked it up. It was a bit of


Tarzan of the Apes