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Today's Stichomancy for Keith Richards

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Gone With the Wind by Margaret Mitchell:

"Oh, Scarlett, you are so young you wring my heart," he said. "And I shall kiss you, as you seem to expect it," and leaning down carelessly, his mustache just grazed her cheek. "Now, do you feel that you must slap me to preserve the proprieties?"

Her lips mutinous, she looked up into his eyes and saw so much amusement in their dark depths that she burst into laughter. What a tease he was and how exasperating! If he didn't want to marry her and didn't even want to kiss her, what did he want? If he wasn't in love with her, why did he call so often and bring her presents?

"That's better," he said. "Scarlett, I'm a bad influence on you


Gone With the Wind
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Two Poets by Honore de Balzac:

through serried hostile mobs of aristocrats or philistines by repeated successful strokes, than to reach the goal through a woman's favor. Sooner or later his genius should shine out; it had been so with the others, his predecessors; they had tamed society. Women would love him when that day came! The example of Napoleon, which, unluckily for this nineteenth century of ours, has filled a great many ordinary persons with aspirations after extraordinary destinies,--the example of Napoleon occurred to Lucien's mind. He flung his schemes to the winds and blamed himself for thinking of them. For Lucien was so made that he went from evil to good, or from good to evil, with the same facility.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Under the Andes by Rex Stout:

"Well--let them."

"No. You're in for the finish. I know that. I want to find Desiree. And we'll find her. After that, if nothing else is left, I'll be with you."

"But I don't want a thousand of those brutes falling on us in the dark. If they would end it I wouldn't care."

"Keep your spear ready."

I had given him my promise, so I pushed on at his side. I had no stomach for it. In a fight I can avoid disgracing myself, because it is necessary; but why seek it when there is nothing to be gained? Thus I reflected, but I pushed on at Harry's side.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

partaking. I was suffered to sit with my maids apart from the rest, and none attempted to comfort or insult us. Here I first began to feel the full weight of my misery. The girls sat weeping in silence, and from time to time looked on me for succour. I knew not to what condition we were doomed, nor could conjecture where would be the place of our captivity, or whence to draw any hope of deliverance. I was in the hands of robbers and savages, and had no reason to suppose that their pity was more than their justice, or that they would forbear the gratification of any ardour of desire or caprice of cruelty. I, however, kissed my maids, and endeavoured to pacify them by remarking that we were yet treated