| The first excerpt represents the past or something you must release, and is drawn from The Monster Men by Edgar Rice Burroughs: as he turned toward his galley.
The following morning the party, with the exception of
three Malays who were left to guard the Ithaca, set out
for the new camp. The journey was up the bed of the
small stream which emptied into the harbor, so that
although fifteen men had passed back and forth through
the jungle from the beach to the camp every day for two
weeks, there was no sign that human foot had ever
crossed the narrow strip of sand that lay between the
dense foliage and the harbor.
The gravel bottom of the rivulet made fairly good
 The Monster Men |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Taming of the Shrew by William Shakespeare: Take no unkindness of his hasty words.
Away, I say! commend me to thy master.
[Exit TAILOR.]
PETRUCHIO.
Well, come, my Kate; we will unto your father's
Even in these honest mean habiliments.
Our purses shall be proud, our garments poor
For 'tis the mind that makes the body rich;
And as the sun breaks through the darkest clouds,
So honour peereth in the meanest habit.
What, is the jay more precious than the lark
 The Taming of the Shrew |
The third excerpt represents the future or something you must embrace, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer: "The monkey!" I cried.
"They were the footprints of a small ape," my friend continued.
"For a moment I was deceived as you were, and believed them
to be the tracks of a large bird; but I have seen the footprints
of apes before now, and a marmoset, though an American variety,
I believe, is not unlike some of the apes of Burma."
"I am still in the dark," I said.
"It is pure hypothesis," continued Smith, "but here is the theory--
in lieu of a better one it covers the facts. The marmoset--
and it is contrary from the character of Fu-Manchu to keep any
creature for mere amusement--is trained to perform certain duties.
 The Insidious Dr. Fu-Manchu |