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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

to the palings on Sunday nights, and a deadly feud gradually arose between him and the preceptor of Sleepy Hollow.

Brom, who had a degree of rough chivalry in his nature, would fain have carried matters to open warfare and have settled their pretensions to the lady, according to the mode of those most concise and simple reasoners, the knights-errant of yore, -- by single combat; but lchabod was too conscious of the superior might of his adversary to enter the lists against him; he had overheard a boast of Bones, that he would "double the schoolmaster up, and lay him on a shelf of his own schoolhouse;" and he was too wary to give him an opportunity. There was


The Legend of Sleepy Hollow
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Prince Otto by Robert Louis Stevenson:

groom.

Once more the stable was in darkness, once more Otto employed the talismanic knock, and once more the groom appeared and sickened with terror.

'Good-evening, friend,' said Otto pleasantly. 'I want you to bring a corn sack - empty this time - and to accompany me. We shall be gone all night.'

'Your Highness,' groaned the man, 'I have the charge of the small stables. I am here alone.'

'Come,' said the Prince, 'you are no such martinet in duty.' And then seeing that the man was shaking from head to foot, Otto laid a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Z. Marcas by Honore de Balzac:

So we called him the Ruins of Palmyra.

As we went out to dine at the wretched eating-house in the Rue de la Harpe to which we subscribed, we asked the name of Number 37, and then heard the weird name Z. Marcas. Like boys, as we were, we repeated it more than a hundred times with all sorts of comments, absurd or melancholy, and the name lent itself to a jest. Juste would fire off the Z like a rocket rising, /z-z-z-z-zed/; and after pronouncing the first syllable of the name with great importance, depicted a fall by the dull brevity of the second.

"Now, how and where does the man live?"

From this query, to the innocent espionage of curiosity there was no

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Men of Iron by Howard Pyle:

prance. Myles was not sorry for the interruption; he felt awkward and abashed at the parting, and at the old man's reminiscences, knowing that Gascoyne's eyes were resting amusedly upon the scene, and that the men-at-arms were looking on. Certainly old Diccon did look droll as he struggled vainly with his vicious high-necked nag. "Nay, a murrain on thee! an' thou wilt go, go!" cried he at last, with a savage dig of his heels into the animal's ribs, and away they clattered, the led-horse kicking up its heels as a final parting, setting Gascoyne fairly alaughing. At the bend of the road the old man turned and nodded his head; the next moment he had disappeared around the angle of the wall,


Men of Iron