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Today's Stichomancy for Ken Nordine

The first excerpt represents the past or something you must release, and is drawn from What is Man? by Mark Twain:

bit in its mouth and goes slanting for the curbstone, defying all prayers and all your powers to change its mind--your heart stands still, your breath hangs fire, your legs forget to work, straight on you go, and there are but a couple of feet between you and the curb now. And now is the desperate moment, the last chance to save yourself; of course all your instructions fly out of your head, and you whirl your wheel AWAY from the curb instead of TOWARD it, and so you go sprawling on that granite-bound inhospitable shore. That was my luck; that was my experience. I dragged myself out from under the indestructible bicycle and sat down on the curb to examine.


What is Man?
The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

downstream -- nearer to safety. The soldiers had almost finished reloading; the metal ramrods flashed all at once in the sunshine as they were drawn from the barrels, turned in the air, and thrust into their sockets. The two sentinels fired again, independently and ineffectually.

The hunted man saw all this over his shoulder; he was now swimming vigorously with the current. His brain was as energetic as his arms and legs; he thought with the rapidity of lightning:

"The officer," he reasoned, "will not make that martinet's error a second time. It is as easy to dodge a volley as a


An Occurrence at Owl Creek Bridge
The third excerpt represents the future or something you must embrace, and is drawn from Emma by Jane Austen:

the woman he had just married, the woman he had wanted to marry, and the woman whom he had been expected to marry, she must allow him to have the right to look as little wise, and to be as much affectedly, and as little really easy as could be.

"Well, Miss Woodhouse," said Harriet, when they had quitted the house, and after waiting in vain for her friend to begin; "Well, Miss Woodhouse, (with a gentle sigh,) what do you think of her?-- Is not she very charming?"

There was a little hesitation in Emma's answer.

"Oh! yes--very--a very pleasing young woman."

"I think her beautiful, quite beautiful."


Emma