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Today's Stichomancy for Ken Nordine

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Varieties of Religious Experience by William James:

passes into another. Thus we speak of the threshold of a man's consciousness in general, to indicate the amount of noise, pressure, or other outer stimulus which it takes to arouse his attention at all. One with a high threshold will doze through an amount of racket by which one with a low threshold would be immediately waked. Similarly, when one is sensitive to small differences in any order of sensation, we say he has a low "difference- threshold"--his mind easily steps over it into the consciousness of the differences in question. And just so we might speak of a "pain-threshold," a "fear-threshold," a "misery-threshold," and find it quickly overpassed by the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Woman and Labour by Olive Schreiner:

luxurious viands, the result of others' toil, waited on and tended by the labour of others. The need for her physical labour having gone, and mental industry not having taken its place, she bedecked and scented her person, or had it bedecked and scented for her, she lay upon her sofa, or drove or was carried out in her vehicle, and, loaded with jewels, she sought by dissipations and amusements to fill up the inordinate blank left by the lack of productive activity. And as the hand whitened and frame softened, till, at last, the very duties of motherhood, which were all the constitution of her life left her, became distasteful, and, from the instant when her infant came damp from her womb, it passed into the hands of others, to be tended and reared by them; and from youth to age her

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Facino Cane by Honore de Balzac:

an abuse of the power of sight which predestined me to lose it. Bianca was dead.

"At this time I had fallen in love with a woman to whom I thought to link my fate. I had told her the secret of my name; she belonged to a powerful family; she was a friend of Mme. du Barry; I hoped everything from the favor shown me by Louis XV.; I trusted in her. Acting on her advice, I went to London to consult a famous oculist, and after a stay of several months in London she deserted me in Hyde Park. She had stripped me of all that I had, and left me without resource. Nor could I make complaint, for to disclose my name was to lay myself open to the vengeance of my native city; I could appeal to no one for aid, I

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

wanted to. All the servants obeyed my slightest wish: if I wanted to sit up late at night no one objected; if I wished to lie in bed till noon they kept the house quiet so as not to disturb me.

"This condition of affairs, as you may imagine, grew more and more tedious and exasperating the older I became. Try as I might, I could find nothing to complain of. I once saw the son of one of our servants receive a flogging; and my heart grew light. I immediately begged my father to flog me, by way of variety; and he, who could refuse me nothing, at once consented. For this reason there was less satisfaction in the operation than I had expected, although for the time being it was a distinct novelty.


The Enchanted Island of Yew