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Today's Stichomancy for Kim Jong Il

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from New Poems by Robert Louis Stevenson:

Yours, though perhaps to your surprise. Oft have you spruced my wounded feather, Oft brought a light into my eyes - For notice still the writer cries. In any civil age or nation, The book that is not talked of dies. So that shall be my termination: Whether in praise or execration, Still, if you love me, criticise!

FAREWELL

FAREWELL, and when forth

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Paradise Lost by John Milton:

Driven by a keen north-wind, that, blowing dry, Wrinkled the face of deluge, as decayed; And the clear sun on his wide watery glass Gazed hot, and of the fresh wave largely drew, As after thirst; which made their flowing shrink From standing lake to tripping ebb, that stole With soft foot towards the deep; who now had stopt His sluces, as the Heaven his windows shut. The ark no more now floats, but seems on ground, Fast on the top of some high mountain fixed. And now the tops of hills, as rocks, appear;


Paradise Lost
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gobseck by Honore de Balzac:

for a thousand francs! She would be so nice to me, she would talk to me in that ingratiating tone peculiar to endorsers of bills, she would pour out a torrent of coaxing words, perhaps she would beg and pray, and I . . .' (here the old man turned his pale eyes upon me)--'and I not to be moved, inexorable!' he continued. 'I am there as the avenger, the apparition of Remorse. So much for hypotheses. I reached the house.

" ' "Madame la Comtesse is asleep," says the maid.

" ' "When can I see her?"

" ' "At twelve o'clock."

" ' "Is Madame la Comtesse ill?"


Gobseck
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ruling Passion by Henry van Dyke:

beget love and bind friendship, which a country house receives from its surrounding landscape, the garden that embraces it, the stream that runs near it, and the shaded paths that lead to and from its door.

By this magic of pictures my narrow, upright slice of living-space in one of the brown-stone strata on the eastward slope of Manhattan Island is transferred to an open and agreeable site. It has windows that look toward the woods and the sunset, watergates by which a little boat is always waiting, and secret passageways leading into fair places that are frequented by persons of distinction and charm. No darkness of night obscures these outlets; no neighbour's house