| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Apology by Xenophon: touch of weakness, but with gaiety welcomed death's embrace, and
discharged life's debt.
[58] Lit. "dear to the gods"; "highly favoured."
[59] Cf. Hom. "Od." xii. 341, {pantes men stugeroi thanatoi deiloisi
brotoisin}.
[60] {prosantes}, i.e. "he faced death boldly as he had encountered
life's blessings blandly." "As he had been no stoic to repudiate
life's blessings, so he was no coward to," etc.
For myself indeed, as I lay to mind the wisdom of the man and his
nobility, I can neither forget him nor, remembering him, forbear to
praise him. But if any of those who make virtue their pursuit have
 The Apology |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Snow Image by Nathaniel Hawthorne: body and spirit of his existence, had disappeared before his
death, leaving nothing of him but a living skeleton, covered over
with a wrinkled yellow skin. Since the melting away of his gold,
it had been very generally conceded that there was no such
striking resemblance, after all, betwixt the ignoble features of
the ruined merchant and that majestic face upon the
mountain-side. So the people ceased to honor him during his
lifetime, and quietly consigned him to forgetfulness after his
decease. Once in a while, it is true, his memory was brought up
in connection with the magnificent palace which he had built, and
which had long ago been turned into a hotel for the accommodation
 The Snow Image |