| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mirror of the Sea by Joseph Conrad: in honour and conscience to pronounce the funereal eulogium of a
ship's constancy in life and death.
After this, sitting by my side with his loosely-clasped hands
hanging between his knees, he uttered no word, made no movement
till the shadow of our ship's sails fell on the boat, when, at the
loud cheer greeting the return of the victors with their prize, he
lifted up his troubled face with a faint smile of pathetic
indulgence. This smile of the worthy descendant of the most
ancient sea-folk whose audacity and hardihood had left no trace of
greatness and glory upon the waters, completed the cycle of my
initiation. There was an infinite depth of hereditary wisdom in
 The Mirror of the Sea |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kwaidan by Lafcadio Hearn: that I manage, with exceeding difficulty, to translate, contains so many
allusions to Chinese stories of butterflies that I am tormented with the
torment of Tantalus... And, of course, no spirit-maidens will even deign to
visit so skeptical a person as myself.
I want to know, for example, the whole story of that Chinese maiden whom
the butterflies took to be a flower, and followed in multitude,-- so
fragrant and so fair was she. Also I should like to know something more
concerning the butterflies of the Emperor Genso, or Ming Hwang, who made
them choose his loves for him... He used to hold wine-parties in his
amazing garden; and ladies of exceeding beauty were in attendance; and
caged butterflies, se free among them, would fly to the fairest; and then,
 Kwaidan |