| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from La Grenadiere by Honore de Balzac: me?"
"My boy, we ought to hide our troubles from strangers," she said; "we
should show them a smiling face, never speak of ourselves to them, nor
think about ourselves; and these rules, put in practice in family
life, conduce to its happiness. You will have much to bear one day! Ah
me! then think of your poor mother who died smiling before your eyes,
hiding her sufferings from you, and you will take courage to endure
the ills of life."
She choked back her tears, and tried to make the boy understand the
mechanism of existence, the value of money, the standing and
consideration that it gives, and its bearing on social position; the
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Talisman by Walter Scott: yards long by forty in width. They extended in length from north
to south, so as to give both parties the equal advantage of the
rising sun. Saladin's royal seat was erected on the western side
of the enclosure, just in the centre, where the combatants were
expected to meet in mid encounter. Opposed to this was a gallery
with closed casements, so contrived that the ladies, for whose
accommodation it was erected, might see the fight without being
themselves exposed to view. At either extremity of the lists was
a barrier, which could be opened or shut at pleasure. Thrones
had been also erected, but the Archduke, perceiving that his was
lower than King Richard's, refused to occupy it; and Coeur de
|
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Black Beauty by Anna Sewell: I was very much troubled, and I put my nose up to hers,
but I could say nothing to comfort her. I think she was pleased to see me,
for she said, "You are the only friend I ever had."
Just then her driver came up, and with a tug at her mouth backed her
out of the line and drove off, leaving me very sad indeed.
A short time after this a cart with a dead horse in it passed our cab-stand.
The head hung out of the cart-tail, the lifeless tongue was slowly
dropping with blood; and the sunken eyes! but I can't speak of them,
the sight was too dreadful. It was a chestnut horse with a long, thin neck.
I saw a white streak down the forehead. I believe it was Ginger;
I hoped it was, for then her troubles would be over. Oh! if men were
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Anabasis by Xenophon: years before having to move once more, to settle
in Corinth. He died in 354 B.C.
The Anabasis is his story of the march to Persia
to aid Cyrus, who enlisted Greek help to try and
take the throne from Artaxerxes, and the ensuing
return of the Greeks, in which Xenophon played a
leading role. This occurred between 401 B.C. and
March 399 B.C.
PREPARER'S NOTE
This was typed from Dakyns' series, "The Works of Xenophon," a
four-volume set. The complete list of Xenophon's works (though
 Anabasis |