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Today's Stichomancy for Kirk Douglas

The first excerpt represents the past or something you must release, and is drawn from The Wrong Box by Stevenson & Osbourne:

'O, is that all?' interrupted Julia. 'Then we must go all three.'

'Caught!' thought the Squirradical.

CHAPTER XII. Positively the Last Appearance of the Broadwood Grand

England is supposed to be unmusical; but without dwelling on the patronage extended to the organ-grinder, without seeking to found any argument on the prevalence of the jew's trump, there is surely one instrument that may be said to be national in the fullest acceptance of the word. The herdboy in the broom, already musical in the days of Father Chaucer, startles (and perhaps pains) the lark with this exiguous pipe; and in the hands of the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mad King by Edgar Rice Burroughs:

turning her horse's head to the righthand side of the road to pass the party, all of whom were in uniform; but as she did so one of the men reined directly in her path. The act was obviously intentional.

The girl looked quickly up into the man's face, and her own went white. He who stopped her way was Captain Ernst Maenck. She had not seen the man for two years, but she had good cause to remember him as the governor of the castle of Blentz and the man who had attempted to take advantage of her helplessness when she had been a prisoner in Prince Peter's fortress. Now she looked straight into the


The Mad King
The third excerpt represents the future or something you must embrace, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

than that they made a mistake; for rectangular furrows on the forehead would not have had a grand appearance on the marble. The expression, in its fully developed condition, is, as far as I can discover, not often represented in pictures by the old masters, no doubt owing to the same cause; but a lady who is perfectly familiar with this expression, informs me that in Fra Angelico's `Descent from the Cross,' in Florence, it is clearly exhibited in one of the figures on the right-hand; and I could add a few other instances.

Dr. Crichton Browne, at my request, closely attended to this expression in the numerous insane patients under his care


Expression of Emotion in Man and Animals