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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voyage Out by Virginia Woolf:

not dead."

Mr. Perrott would have said almost anything that Evelyn wanted him to say, but to assert that he believed in the immortality of the soul was not in his power. He sat silent, more deeply wrinkled than usual, crumbling his bread.

Lest Evelyn should next ask him what he believed, Arthur, after making a pause equivalent to a full stop, started a completely different topic.

"Supposing," he said, "a man were to write and tell you that he wanted five pounds because he had known your grandfather, what would you do? It was this way. My grandfather--"

"Invented a stove," said Evelyn. "I know all about that.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Bride of Lammermoor by Walter Scott:

conciliatory measures with young men, whose blood and temper were hot, and their experience of life limited. He did not hesitate to attribute some censure to the conduct of the officer, as having been unnecessarily irritating.

These were the contents of his public despatches. The letters which he wrote to those private friends into whose management the matter was likely to fall were of a yet more favourable tenor. He represented that lenity in this case would be equally politic and popular, whereas, considering the high respect with which the rites of interment are regarded in Scotland, any severity exercised against the Master of Ravenswood


The Bride of Lammermoor
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Essays of Travel by Robert Louis Stevenson:

thrown away; I went in up to the elbows with the manager, until I think that some of the glory of that great man settled by reflection upon me, and that I was as noticeably the second person in the smoking-room as he was the first. For a young man, this was a position of some distinction, I think you will admit. . . .

CHAPTER III - AN AUTUMN EFFECT - 1875

'Nous ne decrivons jamais mieux la nature que lorsque nous nous efforcons d'exprimer sobrement et simplement l'impression que nous en avons recue.' - M. ANDRE THEURIET, 'L'Automne dans les Bois,' Revue des Deux Mondes, 1st Oct. 1874, p.562.

A COUNTRY rapidly passed through under favourable auspices may leave

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gone With the Wind by Margaret Mitchell:

breakfast. But for once she had no appetite. Between her nervous apprehension over the thought that Melanie's time was approaching and her unconscious straining to hear the sound of the cannon, she could hardly eat. Her heart acted very queerly, beating regularly for several minutes and then thumping so loudly and swiftly it almost made her sick at her stomach. The heavy hominy stuck in her throat like glue and never before had the mixture of parched corn and ground-up yams that passed for coffee been so repulsive. Without sugar or cream it was bitter as gall, for the sorghum used for "long sweetening" did little to improve the taste. After one swallow she pushed her cup away. If for no other reason she hated


Gone With the Wind