| The first excerpt represents the past or something you must release, and is drawn from The Return of Tarzan by Edgar Rice Burroughs: She merely admired, as she might have admired a particularly
fine specimen of any species. Furthermore, the young man
was unquestionably good to look at.
As her furtive glance rested upon his profile he rose to leave
the deck. The Countess de Coude beckoned to a passing steward.
"Who is that gentleman?" she asked.
"He is booked, madam, as Monsieur Tarzan, of Africa,"
replied the steward.
"Rather a large estate," thought the girl, but now her
interest was still further aroused.
As Tarzan walked slowly toward the smoking-room he
 The Return of Tarzan |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Road to Oz by L. Frank Baum: her food from her tray upon the table. At other places sat the Hungry
Tiger, the Cowardly Lion, the Saw-Horse, the Rubber Bear, the Fox King
and the Donkey King; they made quite a company of animals.
At the lower end of the great room was another table, at which sat the
Ryls and Knooks who had come with Santa Claus, the wooden soldiers who
had come with the Queen of Merryland, and the Hilanders and Lolanders
who had come with John Dough. Here were also seated the officers of
the royal palace and of Ozma's army.
The splendid costumes of those at the three tables made a gorgeous and
glittering display that no one present was ever likely to forget;
perhaps there has never been in any part of the world at any time
 The Road to Oz |
The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: uttered a cry which his fury stifled in his throat, released himself,
threw back De Marsay with a hand like iron, and nailed him, so to
speak, to the bottom of the carriage; then with his free hand, he drew
a triangular dagger, and whistled. The coachman heard the whistle and
stopped. Henri was unarmed, he was forced to yield. He moved his head
towards the handkerchief. The gesture of submission calmed Cristemio,
and he bound his eyes with a respect and care which manifested a sort
of veneration for the person of the man whom his idol loved. But,
before taking this course, he had placed his dagger distrustfully in
his side pocket, and buttoned himself up to the chin.
"That nigger would have killed me!" said De Marsay to himself.
 The Girl with the Golden Eyes |