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Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Sergius by Leo Tolstoy:

month, week, and day that passed, Sergius felt his own inner life wasting away and being replaced by external life. It was as if he had been turned inside out.

Sergius saw that he was a means of attracting visitors and contributions to the monastery, and that therefore the authorities arranged matters in such a way as to make as much use of him as possible. For instance, they rendered it impossible for him to do any manual work. He was supplied with everything he could want, and they only demanded of him that he should not refuse his blessing to those who came to seek it. For his convenience they appointed days when he would receive. They

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Walking by Henry David Thoreau:

wild--the mallard--thought, which 'mid falling dews wings its way above the fens. A truly good book is something as natural, and as unexpectedly and unaccountably fair and perfect, as a wild-flower discovered on the prairies of the West or in the jungles of the East. Genius is a light which makes the darkness visible, like the lightning's flash, which perchance shatters the temple of knowledge itself--and not a taper lighted at the hearthstone of the race, which pales before the light of common day.

English literature, from the days of the minstrels to the Lake Poets--Chaucer and Spenser and Milton, and even Shakespeare, included--breathes no quite fresh and, in this sense, wild


Walking
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

but their own lawless will. They will remain either the Ishmaels or the Sloths of Society. But man is naturally neither an Ishmael nor a Sloth.

The first question, then, which confronts us is, what are the dimensions of the Evil? How many of our fellow-men dwell in this Darkest England? How can we take the census of those who have fallen below the Cab Horse standard to which it is our aim to elevate the most wretched of our countrymen?

The moment you attempt to answer this question, you are confronted by the fact that the Social Problem has scarcely been studied at all scientifically. Go to Mudie's and ask for all the books that have been


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Death of the Lion by Henry James:

my peculiar charge, just as circumstances had made Neil Paraday. She would be another person to look after, so that one's honour would be concerned in guiding her straight. These things became clearer to me later on; at the instant I had scepticism enough to observe to her, as I turned the pages of her volume, that her net had all the same caught many a big fish. She appeared to have had fruitful access to the great ones of the earth; there were people moreover whose signatures she had presumably secured without a personal interview. She couldn't have worried George Washington and Friedrich Schiller and Hannah More. She met this argument, to my surprise, by throwing up the album without a pang. It wasn't