Today's Stichomancy for Kurt Vonnegut

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Camille by Alexandre Dumas:

her again than to see her as she is. You ask if I forgive you; oh, with all my heart, friend, for the way you hurt me was only a way of proving the love you had for me. I have been in bed for a month, and I think so much of your esteem that I write every day the journal of my life, from the moment we left each other to the moment when I shall be able to write no longer. If the interest you take in me is real, Armand, when you come back go and see Julie Duprat. She will give you my journal. You will find in it the reason and the excuse for what has passed between us. Julie is very good to me; we often talk of you together. She was there when your letter came, and we both cried over it.

Camille

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Life in the Iron-Mills by Rebecca Davis:

painted Jesus, the incarnate Life, Love, the universal Man: words that became reality in the lives of these people,--that lived again in beautiful words and actions, trifling, but heroic. Sin, as he defined it, was a real foe to them; their trials, temptations, were his. His words passed far over the furnace-tender's grasp, toned to suit another class of culture; they sounded in his ears a very pleasant song in an unknown tongue. He meant to cure this world-cancer with a steady eye that had never glared with hunger, and a hand that neither poverty nor strychnine-whiskey had taught to shake. In this morbid, distorted heart of the Welsh puddler he had failed.

Life in the Iron-Mills

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tapestried Chamber by Walter Scott:

of the ancient wreathed and carved chimney-stalks. The wall of the park ran alongside of the highway for two or three hundred yards; and through the different points by which the eye found glimpses into the woodland scenery, it seemed to be well stocked. Other points of view opened in succession--now a full one of the front of the old castle, and now a side glimpse at its particular towers, the former rich in all the bizarrerie of the Elizabethan school, while the simple and solid strength of other parts of the building seemed to show that they had been raised more for defence than ostentation.

Delighted with the partial glimpses which he obtained of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bab:A Sub-Deb, Mary Roberts Rinehart by Mary Roberts Rinehart:

this window?"

"Oh, that's it, is it?" he said in a releived tone. "You're nothing if you're not thorough, Bab! Well, as they have hung an hour and fifteen minutes to long as it is, I guess the Country won't go to the dogs if you shut that window until I get a shirt on. Go away and send Williarm up in ten minutes."

"Father," I demanded, intencely, "do you consider yourself a Patriot?"

"Well," he said, "I'm not the shouting tipe, but I guess I'll be around if I'm needed. Unless I die of the chill I'm getting just now, owing to one shouting Patriot in the Familey."

"Is this your Country or William's?" I insisted, in an inflexable voice.