| The first excerpt represents the past or something you must release, and is drawn from Call of Cthulhu by H. P. Lovecraft: save as gibberish. The two sounds frequently repeated are those
rendered by the letters "Cthulhu" and "R'lyeh."
On March 23,
the manuscript continued, Wilcox failed to appear; and inquiries
at his quarters revealed that he had been stricken with an obscure
sort of fever and taken to the home of his family in Waterman
Street. He had cried out in the night, arousing several other
artists in the building, and had manifested since then only alternations
of unconsciousness and delirium. My uncle at once telephoned the
family, and from that time forward kept close watch of the case;
calling often at the Thayer Street office of Dr. Tobey, whom he
 Call of Cthulhu |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Travels of Sir John Mandeville by Sir John Mandeville: this number of folk is without the principal host and without wings
ordained for the battle. And when he hath no war, but rideth with
a privy meinie, then he hath borne before him but one cross of
tree, without painting and without gold or silver or precious
stones, in remembrance that Jesu Christ suffered death upon a cross
of tree. And he hath borne before him also a platter of gold full
of earth, in token that his noblesse and his might and his flesh
shall turn to earth. And he hath borne before him also a vessel of
silver, full of noble jewels of gold full rich and of precious
stones, in token of his lordship and of his noblesse and of his
might.
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The third excerpt represents the future or something you must embrace, and is drawn from The Black Dwarf by Walter Scott: could strike it with ease through the panel of a door, or the end
of a barrel. His laugh is said to have been quite horrible; and
his screech-owl voice, shrill, uncouth, and dissonant,
corresponded well with his other peculiarities.
"There was nothing very uncommon about his dress. He usually
wore an old slouched hat when he went abroad; and when at home, a
sort of cowl or night-cap. He never wore shoes, being unable to
adapt them to his mis-shapen finlike feet, but always had both
feet and legs quite concealed, and wrapt up with pieces of cloth.
He always walked with a sort of pole or pike-staff, considerably
taller than himself. His habits were, in many respects,
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