| The first excerpt represents the past or something you must release, and is drawn from The Taming of the Shrew by William Shakespeare: TRANIO.
That 'only' came well in. Sir, list to me:
I am my father's heir and only son;
If I may have your daughter to my wife,
I'll leave her houses three or four as good
Within rich Pisa's walls as any one
Old Signior Gremio has in Padua;
Besides two thousand ducats by the year
Of fruitful land, all which shall be her jointure.
What, have I pinch'd you, Signior Gremio?
GREMIO.
The Taming of the Shrew |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Far From the Madding Crowd by Thomas Hardy: homes in gloomy and sad seclusion.
Out of this there arose, during the spring succeeding,
a talk in the parish that Gabriel Oak was feathering his
nest fast.
"Whatever d'ye think." said Susan Tall," Gable Oak
is coming it quite the dand. He now wears shining
boots with hardly a hob in 'em, two or three times
a-week, and a tall hat a-Sundays, and 'a hardly knows
the name of smockfrock. When I see people strut
enough to he cut up into bantam cocks, I stand
dormant with wonder, and says no more!"
Far From the Madding Crowd |
The third excerpt represents the future or something you must embrace, and is drawn from Dream Life and Real Life by Olive Schreiner: meat. Stretched on the ground was an Englishman, dressed in a blouse, and
with a heavy, sullen face. On the stone beside him was Dirk, the
Hottentot, sharpening a bowie knife.
She held her breath. Not a cony in all the rocks was so still.
"They can never find me here," she said; and she knelt, and listened to
every word they said. She could hear it all.
"You may have all the money," said the Bushman; "but I want the cask of
brandy. I will set the roof alight in six places, for a Dutchman burnt my
mother once alive in a hut, with three children."
"You are sure there is no one else on the farm?" said the navvy.
"No, I have told you till I am tired," said Dirk; "The two Kaffirs have
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