| The first excerpt represents the past or something you must release, and is drawn from A Tramp Abroad by Mark Twain: for a cat, and charged us a franc or two for it.
Then he sat down again, to doze till the next party
should come along. He had collected blackmail from two
or three hundred people already, that day, but had not
chipped out ice enough to impair the glacier perceptibly.
I have heard of a good many soft sinecures, but it seems
to me that keeping toll-bridge on a glacier is the softest
one I have encountered yet.
That was a blazing hot day, and it brought a persistent
and persecuting thirst with it. What an unspeakable luxury
it was to slake that thirst with the pure and limpid
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Child of Storm by H. Rider Haggard: These warriors, some of whom had wounds that were scarcely healed,
saluted me with loud cries of "Inkoosi!" and "Baba" as I stepped out of
the wagon, where I had spent a wretched night of unpleasant
anticipation, showing me that there were at least some Zulus with whom I
remained popular. Indeed, their delight at seeing me, whom they looked
upon as a comrade and one of the few survivors of the great adventure,
was quite touching. As we went, which we did slowly, their captain told
me of their fears that I had been killed with the others, and how
rejoiced they were when they learned that I was safe. He told me also
that, after the third regiment had attacked them and broken up their
ring, a small body of them, from eighty to a hundred only, managed to
Child of Storm |
The third excerpt represents the future or something you must embrace, and is drawn from Juana by Honore de Balzac: a lover, I, your mother, will stand between you and him. Do you see
that dagger? It is in your 'dot,'" she continued, throwing the weapon
on Juana's bed. "I leave it there as the guarantee of your honor so
long as my eyes are open and my arm free. Farewell," she said,
restraining her tears. "God grant that we may never meet again."
At that idea, her tears began to flow.
"Poor child!" she added, "you have been happier than you knew in this
dull home.--Do not allow her to regret it," she said, turning to
Diard.
The foregoing rapid narrative is not the principal subject of this
Study, for the understanding of which it was necessary to explain how
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