| The first excerpt represents the past or something you must release, and is drawn from Confessio Amantis by John Gower: Which cleped is the jolif wo;
And waxen of here oghne thoght
So drunke, that thei knowe noght
What reson is, or more or lesse.
Such is the kinde of that sieknesse,
And that is noght for lacke of brain,
Bot love is of so gret a main, 90
That where he takth an herte on honde,
Ther mai nothing his miht withstonde:
The wise Salomon was nome,
And stronge Sampson overcome,
Confessio Amantis |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Hidden Masterpiece by Honore de Balzac: There is truth here," said the old man, pointing to the bosom of the
saint; "and here," showing the spot where the shoulder ended against
the background; "but there," he added, returning to the throat, "it is
all false. Do not inquire into the why and wherefore. I should fill
you with despair."
The old man sat down on a stool and held his head in his hands for
some minutes in silence.
"Master," said Porbus at length, "I studied that throat from the nude;
but, to our sorrow, there are effects in nature which become false or
impossible when placed on canvas."
"The mission of art is not to copy nature, but to represent it. You
|
The third excerpt represents the future or something you must embrace, and is drawn from Pericles by William Shakespeare: My frail mortality to know itself,
And by those fearful objects to prepare
This body, like to them, to what I must;
For death remember'd should be like a mirror,
Who tells us life 's but breath, to trust it error.
I'll make my will then, and, as sick men do
Who know the world, see heaven, but, feeling woe,
Gripe not at earthly joys as erst they did;
So I bequeath a happy peace to you
And all good men, as every prince should do;
My riches to the earth from whence they came;
|
