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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Love Songs by Sara Teasdale:

And sighed, "She sings for me." But Colin slept a careless sleep Beneath an apple tree.

Four Winds

"Four winds blowing through the sky, You have seen poor maidens die, Tell me then what I shall do That my lover may be true." Said the wind from out the south, "Lay no kiss upon his mouth," And the wind from out the west,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Within the Tides by Joseph Conrad:

grimly.

The sister of the philosopher sat up stiffly. What crudeness! It was always so with this strange young man.

"Mr. Renouard! How can you compare the superstitious fancies of your horrible savages with the manifestations . . . "

Words failed her. She broke off with a very faint primly angry smile. She was perhaps the more offended with him because of that flutter at the beginning of the conversation. And in a moment with perfect tact and dignity she got up from her chair and left him alone.

Renouard didn't even look up. It was not the displeasure of the


Within the Tides
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Laches by Plato:

about courage just now.

LACHES: That is most true.

SOCRATES: And is this condition of ours satisfactory?

LACHES: Quite the reverse.

SOCRATES: Suppose, however, that we admit the principle of which we are speaking to a certain extent.

LACHES: To what extent and what principle do you mean?

SOCRATES: The principle of endurance. We too must endure and persevere in the enquiry, and then courage will not laugh at our faint-heartedness in searching for courage; which after all may, very likely, be endurance.

LACHES: I am ready to go on, Socrates; and yet I am unused to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tales of the Klondyke by Jack London:

a gentleman as ever hit the trail aftah the dogs. Youah a murderah, suh, and without honah."

"An' yer no comrade," broke in Red Bill. "If you was, you'd hang 'thout rampin' around an' roarin'. Come on, Jan, there's a good fellow. Don't give us no more trouble. Jes' quit, an' we'll hang yeh neat and handy, an' be done with it."

"Steady, all!" Lawson, the sailorman, bawled. "Jam his head into the bean pot and batten down."

"But my fingah, suh," Mr. Taylor protested.

"Leggo with y'r finger, then! Always in the way!"

"But I can't, Mistah Lawson. It's in the critter's gullet, and