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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Modeste Mignon by Honore de Balzac:

his whole being? Silent, self-contained, pious, exemplary in conduct, he went his way over that vast tract of country named on the map of the heart Love-without-Hope, the sublime and arid steppes of Desire. Modeste had christened this grotesque little being her "Black Dwarf." The nickname sent him to the pages of Walter Scott's novel, and he one day said to Modeste: "Will you accept a rose against the evil day from your mysterious dwarf?" Modeste instantly sent the soul of her adorer to its humble mud-cabin with a terrible glance, such as young girls bestow on the men who cannot please them. Butscha's conception of himself was lowly, and, like the wife of his master, he had never been out of Havre.


Modeste Mignon
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Selected Writings of Guy De Maupassant by Guy De Maupassant:

knees in the armchair and sobbed, while I heard a strange noise of heavy footsteps and something knocking against the side of the staircase.

They were carrying away Clochette's body.

WHO KNOWS?

My God! My God! I am going to write down at last what has happened to me. But how can I? How dare I? The thing is so bizarre, so inexplicable, so incomprehensible, so silly!

If I were not perfectly sure of what I have seen, sure that there was not in my reasoning any defect, any error in my declarations, any lacuna in the inflexible sequence of my observations, I

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

you lie from morning till night, but because you don't do it with your mouths, but only with your lying eyes, your lying inflections, your deceptively misplaced emphasis, and your misleading gestures, you turn up your complacent noses and parade before God and the world as saintly and unsmirched Truth-Speakers, in whose cold-storage souls a lie would freeze to death if it got there! Why will you humbug yourselves with that foolish notion that no lie is a lie except a spoken one? What is the difference between lying with your eyes and lying with your mouth? There is none; and if you would reflect a moment you would see that it is so. There isn't a human being that doesn't tell a gross of lies every day

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

her eye fixed. She recollected her father's face with terror; she wished to go away into the mountains of Phoenicia, on a pilgrimage to the temple of Aphaka, where Tanith descended in the form of a star; all kinds of imaginings attracted her and terrified her; moreover, a solitude which every day became greater encompassed her. She did not even know what Hamilcar was about.

Wearied at last with her thoughts she would rise, and trailing along her little sandals whose soles clacked upon her heels at every step, she would walk at random through the large silent room. The amethysts and topazes of the ceiling made luminous spots quiver here and there, and Salammbo as she walked would turn her head a little to see them.


Salammbo