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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Cromwell by William Shakespeare:

Were he as cunning in his Eloquence As Cicero, the famous man of Rome, His words would be as chaff against the wind. Sweet tongued Ulysses that made Ajax mad, Were he and his tongue in this speaker's head, Alive he wins me not; then, tis no conquest dead.

[Enter Cromwell like a Neopolitan, and Hodge with him.]

CROMWELL. Sir, are you the master of the house?

HOST. I am, sir.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Works of Samuel Johnson by Samuel Johnson:

good could encourage to set difficulties at defiance, ought not to remit his vigour, when he has almost obtained his recompense. To faint or loiter, when only the last efforts are required, is to steer the ship through tempests, and abandon it to the winds in sight of land; it is to break the ground and scatter the seed, and at last to neglect the harvest.

The masters of rhetorick direct, that the most forcible arguments be produced in the latter part of an oration, lest they should be effaced or perplexed by supervenient images. This precept may be justly

The third excerpt represents the future or something you must embrace, and is drawn from Herodias by Gustave Flaubert:

departed towards Upper Galilee, saying that they were the bearers of great tidings."

Antipas bent his head for a moment; then raising it quickly, said in a tone full of alarm:

"Guard him! watch him well! Do not allow any one else to see him. Keep the gates shut and the entrance to the dungeon closed fast. It must not even be suspected that he still lives!"

Mannaeus had already attended to all these details, because Iaokanann was a Jew, and, like all the Samaritans, Mannaeus hated the Jews.

Their temple on the Mount of Gerizim, which Moses had designed to be the centre of Israel, had been destroyed since the reign of King


Herodias