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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

Thy presence and thy portals, while I lay, Mouth, forehead, eyelids, growing dewy-warm With kisses balmier than half-opening buds Of April, and could hear the lips that kiss'd Whispering I knew not what of wild and sweet, Like that strange song I heard Apollo sing, While Ilion like a mist rose into towers. Yet hold me not for ever in thine East: How can my nature longer mix with thine? Coldly thy rosy shadows bathe me, cold

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Ebb-Tide by Stevenson & Osbourne:

been some time cut off and they had talked in darkness. Now there was heard a roar, which drew impetuously nearer; the face of the lagoon was seen to whiten; and before they had staggered to their feet, a squall burst in rain upon the outcasts. The rage and volume of that avalanche one must have lived in the tropics to conceive; a man panted in its assault, as he might pant under a shower-bath; and the world seemed whelmed in night and water.

They fled, groping for their usual shelter--it might be almost called their home--in the old calaboose; came drenched into its empty chambers; and lay down, three sops of humanity on the cold coral floors, and presently, when the squall was overpast,

The third excerpt represents the future or something you must embrace, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

of experience, I would add that the strain of continually having to set an example must surely be very great. It is much easier, and often more pleasant, to be a warning than an example, and governesses are but women, and women are sometimes foolish, and when you want to be foolish it must be annoying to have to be wise.

Minora and Irais arrived yesterday together; or rather, when the carriage drove up, Irais got out of it alone, and informed me that there was a strange girl on a bicycle a little way behind. I sent back the carriage to pick her up, for it was dusk and the roads are terrible.


Elizabeth and her German Garden