The first excerpt represents the past or something you must release, and is drawn from Sanitary and Social Lectures by Charles Kingsley: Paul says all true men die, "not having received the promises;"
worn out, perhaps, by ill-paid and unappreciated labour, as that
truest-hearted and most unselfish of men, Charles Robert Walsh,
died but two years ago. But his works will follow him--not, as
the preachers tell us, to heaven--for of what use would they be
there, to him or to mankind?--but here, on earth, where he set
them, that they might go on in his path, after his example, and
prosper and triumph long years after he is dead, when his memory
shall be blessed by generations not merely "yet unborn," but who
never would have been born at all, had he not inculcated into
their unwilling fathers the simplest laws of physical health,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from In a German Pension by Katherine Mansfield: head into the water, when again there was a knock on the door. Not the
landlady this time--it must be Casimir. With her face and hair dripping,
with her petticoat bodice unbuttoned, she ran and opened it.
A strange man stood against the lintel--seeing her, he opened his eyes very
wide and smiled delightfully. "Excuse me--does Fraulein Schafer live
here?"
"No; never heard of her." His smile was so infectious, she wanted to smile
too--and the water had made her feel so fresh and rosy.
The strange man appeared overwhelmed with astonishment. "She doesn't?" he
cried. "She is out, you mean!"
"No, she's not living here," answered Viola.
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The third excerpt represents the future or something you must embrace, and is drawn from A Midsummer Night's Dream by William Shakespeare: We Hermia, like two Artificiall gods,
Haue with our needles, created both one flower,
Both on one sampler, sitting on one cushion,
Both warbling of one song, both in one key:
As if our hands, our sides, voices, and mindes
Had beene incorporate. So we grew together,
Like to a double cherry, seeming parted,
But yet a vnion in partition,
Two louely berries molded on one stem,
So with two seeming bodies, but one heart,
Two of the first life coats in Heraldry,
 A Midsummer Night's Dream |