The first excerpt represents the past or something you must release, and is drawn from The Firm of Nucingen by Honore de Balzac: four thousand livres, lost herself in arithmetical exercises that
muddled her wits.
" 'I have ALWAYS had six thousand francs for our dress allowance,' she
said to Malvina. 'Why, how did your father find money? We shall have
nothing now with twenty-four thousand francs; it is destitution! Oh!
if my father could see me so come down in the world, it would kill him
if he were not dead already! Poor Wilhelmine!' and she began to cry.
"Malvina, puzzled to know how to comfort her mother, represented to
her that she was still young and pretty, that rose-color still became
her, that she could continue to go to the Opera and the Bouffons,
where Mme. de Nucingen had a box. And so with visions of gaieties,
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Study of a Woman by Honore de Balzac: his good qualities are as negative as his defects; the former can no
more make him a reputation for virtue than the latter can give him the
sort of glamor cast by vice. As deputy, he never speaks, but he votes
RIGHT. He behaves in his own home as he does in the Chamber.
Consequently, he is held to be one of the best husbands in France.
Though not susceptible of lively interest, he never scolds, unless, to
be sure, he is kept waiting. His friends have named him "dull
weather,"--aptly enough, for there is neither clear light nor total
darkness about him. He is like all the ministers who have succeeded
one another in France since the Charter. A woman with principles could
not have fallen into better hands. It is certainly a great thing for a
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The third excerpt represents the future or something you must embrace, and is drawn from Melmoth Reconciled by Honore de Balzac: accomplices in a human heart by touching all its motive springs, while
they convert all their friends into fellow-conspirators. Like all
people possessed by one idea, these ladies press everything into the
service of their great project, slowly elaborating their toils, much
as the ant-lion excavates its funnel in the sand and lies in wait at
the bottom for its victim. Suppose that no one strays, after all, into
that carefully constructed labyrinth? Suppose that the ant-lion dies
of hunger and thirst in her pit? Such things may be, but if any
heedless creature once enters in, it never comes out. All the wires
which could be pulled to induce action on the captain's part were
tried; appeals were made to the secret interested motives that always
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