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Today's Stichomancy for Leonard Cohen

The first excerpt represents the past or something you must release, and is drawn from The Wrong Box by Stevenson & Osbourne:

only the profits he managed to restrict. Nobody had ever made money out of that concern except the capable Scot, who retired (after his discharge) to the neighbourhood of Banff and built a castle with his profits. The memory of this fallacious Caledonian Morris would revile daily, as he sat in the private office opening his mail, with old Joseph at another table, sullenly awaiting orders, or savagely affixing signatures to he knew not what. And when the man of the heather pushed cynicism so far as to send him the announcement of his second marriage (to Davida, eldest daughter of the Revd. Alexander McCraw), it was really supposed that Morris would have had a fit.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tono Bungay by H. G. Wells:

liberty to wear finery. And generally--freedom from restraint. So that there might be a little diffculty perhaps to find a May Queen here just at present who was really young and er-- pretty.... Of course I couldn't think of any of my girls--or anything of that sort."

"We got to attract 'em back," said my uncle. "That's what I feel about it. We got to Buck-Up the country. The English country is a going concern still; just as the Established Church--if you'll excuse me saying it, is a going concern. Just as Oxford is--or Cambridge. Or any of those old, fine old things. Only it wants fresh capital, fresh idees and fresh methods. Light railways,

The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James:

and living in the joy of the instant, the supreme suspense created by big game alone.

He wasn't afraid (though putting himself the question as he believed gentlemen on Bengal tiger-shoots or in close quarters with the great bear of the Rockies had been known to confess to having put it); and this indeed - since here at least he might be frank! - because of the impression, so intimate and so strange, that he himself produced as yet a dread, produced certainly a strain, beyond the liveliest he was likely to feel. They fell for him into categories, they fairly became familiar, the signs, for his own perception, of the alarm his presence and his vigilance created;