The first excerpt represents the past or something you must release, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw: he had been persuaded to begin, nevertheless so miscalculated the
force of the social vengeance he was unloosing on himself that he
fancied it could be stayed by putting up the editor of The Saturday
Review (as Mr Harris then was) to declare that he considered Dorian
Grey a highly moral book, which it certainly is. When Harris foretold
him the truth, Wilde denounced him as a fainthearted friend who was
failing him in his hour of need, and left the room in anger. Harris's
idiosyncratic power of pity saved him from feeling or shewing the
smallest resentment; and events presently proved to Wilde how insanely
he had been advised in taking the action, and how accurately Harris
had gauged the situation.
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lair of the White Worm by Bram Stoker: was interested. He had agreed with Sir Nathaniel that they should
not do anything with regard to the mystery of Lady Arabella's fear
of the mongoose, but he steadily pursued his course in being
PREPARED to act whenever the opportunity might come. He was in his
own mind perpetually casting about for information or clues which
might lead to possible lines of action. Baffled by the killing of
the mongoose, he looked around for another line to follow. He was
fascinated by the idea of there being a mysterious link between the
woman and the animal, but he was already preparing a second string
to his bow. His new idea was to use the faculties of Oolanga, so
far as he could, in the service of discovery. His first move was to
Lair of the White Worm |
The third excerpt represents the future or something you must embrace, and is drawn from The Heritage of the Desert by Zane Grey: fight for it, to live for it, and in far-off time, when he had won his
victory, to die for it.
Suddenly his mind was illumined. The lofty plateau with its healing
breath of sage and juniper had given back strength to him; the silence
and solitude and strife of his surroundings had called to something deep
within him; but it was Mescal who made this wild life sweet and
significant. It was Mescal, the embodiment of the desert spirit. Like a
man facing a great light Hare divined his love. Through all the days on
the plateau, living with her the natural free life of Indians, close to
the earth, his unconscious love had ripened. He understood now her charm
for him; he knew now the lure of her wonderful eyes, flashing fire,
The Heritage of the Desert |