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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beast in the Jungle by Henry James:

I don't focus it. I can't name it. I only know I'm exposed."

"Yes, but exposed--how shall I say?--so directly. So intimately. That's surely enough."

"Enough to make you feel then--as what we may call the end and the upshot of our watch--that I'm not afraid?"

"You're not afraid. But it isn't," she said, "the end of our watch. That is it isn't the end of yours. You've everything still to see."

"Then why haven't you?" he asked. He had had, all along, to-day, the sense of her keeping something back, and he still had it. As this was his first impression of that it quite made a date. The

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glinda of Oz by L. Frank Baum:

"Get out!" again cried the voice.

Ervic shook his head.

"No," said he, "I'm going to stay."

The spiders left their four corners, dropped to the floor and made a rush toward the young Skeezer, circling around his legs with their pinchers extended. Ervic paid no attention to them. An enormous black rat ran up Ervic's body, passed around his shoulders and uttered piercing squeals in his ears, but he did not wince. The green-and-red lizard, coming from the window-sill, approached Ervic and began spitting a


Glinda of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Shadow out of Time by H. P. Lovecraft:

fancied, used our own familiar alphabet. Most of them worked much more slowly than the general mass of the entities. All this time my own part in the dreams seemed to be that of a disembodied consciousness with a range of vision wider than the normal, floating freely about, yet confined to the ordinary avenues and speeds of travel. Not until August, 1915, did any suggestions of bodily existence begin to harass me. I say harass, because the first phase was a purely abstract, though infinitely terrible, association of my previously noted body loathing with the scenes of my visions.

For a while my chief concern during dreams was to avoid looking


Shadow out of Time
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lady Susan by Jane Austen:

astonishment, and vexation--for, as you well know, I never wished him to be seen at Churchhill. What a pity that you should not have known his intentions! Not content with coming, he actually invited himself to remain here a few days. I could have poisoned him! I made the best of it, however, and told my story with great success to Mrs. Vernon, who, whatever might be her real sentiments, said nothing in opposition to mine. I made a point also of Frederica's behaving civilly to Sir James, and gave her to understand that I was absolutely determined on her marrying him. She said something of her misery, but that was all. I have for some time been more particularly resolved on the match from seeing the rapid increase of her affection for Reginald, and from not feeling secure that a knowledge of


Lady Susan