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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the past or something you must release, and is drawn from Court Life in China by Isaac Taylor Headland:

After she had looked at them for a while, and as my husband was closing up the telescope, she exclaimed: "That is the kind of an instrument that some foreigners sent as a present to my grandfather while he was viceroy, but it was larger than this one."

"And did he use it?" asked my husband.

"No, we did not know what it was for. Besides my grandfather was too busy with the affairs of the government to try to understand it."

"And where is it now?" asked Mr. Headland, thinking that the viceroy might be willing to donate it to the college.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Robinson Crusoe by Daniel Defoe:

such as none but madmen would have gone about, yet, to give them their due, they went about it as warily as boldly; they were gallantly armed, for they had every man a fusee or musket, a bayonet, and a pistol; some of them had broad cutlasses, some of them had hangers, and the boatswain and two more had poleaxes; besides all which they had among them thirteen hand grenadoes. Bolder fellows, and better provided, never went about any wicked work in the world. When they went out their chief design was plunder, and they were in mighty hopes of finding gold there; but a circumstance which none of them were aware of set them on fire with revenge, and made devils of them all.


Robinson Crusoe
The third excerpt represents the future or something you must embrace, and is drawn from Protagoras by Plato:

interpreter.

This curious passage is, therefore, to be regarded as Plato's satire on the tedious and hypercritical arts of interpretation which prevailed in his own day, and may be compared with his condemnation of the same arts when applied to mythology in the Phaedrus, and with his other parodies, e.g. with the two first speeches in the Phaedrus and with the Menexenus. Several lesser touches of satire may be observed, such as the claim of philosophy advanced for the Lacedaemonians, which is a parody of the claims advanced for the Poets by Protagoras; the mistake of the Laconizing set in supposing that the Lacedaemonians are a great nation because they bruise their ears; the far-fetched notion, which is 'really too bad,' that