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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

Or that brave Corineius was his sire.

LOCRINE. Then courage, soldiers, first for your safety, Next for your peace, last for your victory.

[Exeunt.]

ACT III. SCENE V. The field of battle.

[Sound the alarm. Enter Hubba and Segar at one door, and Corineius at the other.]

CORINEIUS. Art thou that Humber, prince of fugitives, That by thy treason slewst young Albanact?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

seized on the bright pans of Marie's kitchen and the promise of the brick-and-sheetiron stove. She disapproved of Stewart, having heard strange stories of him, but there was nothing bacchanal or suspicious about this orderly establishment. Mrs. Boyer was a placid, motherly looking woman, torn from her church and her card club, her grown children, her household gods of thirty years' accumulation, that "Frank" might catch up with his profession.

She had explained it rather tremulously at home.

"Father wants to go," she said. "You children are big enough now to be left. He's always wanted to do it, but we couldn't go while you were little."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Child's Garden of Verses by Robert Louis Stevenson:

Meantime his golden face around He bares to all the garden ground, And sheds a warm and glittering look Among the ivy's inmost nook.

Above the hills, along the blue, Round the bright air with footing true, To please the child, to paint the rose, The gardener of the World, he goes.

V The Dumb Soldier When the grass was closely mown,


A Child's Garden of Verses
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tess of the d'Urbervilles, A Pure Woman by Thomas Hardy:

accents. "I thought I--because I am not respectable, I mean. I told you I thought I was not respectable enough long ago--and on that account I didn't want to marry you, only--only you urged me!"

She broke into sobs, and turned her back to him. It would almost have won round any man but Angel Clare. Within the remote depths of his constitution, so gentle and affectionate as he was in general, there lay hidden a hard logical deposit, like a vein of metal in a soft loam, which turned the edge of everything that attempted to traverse it. It had blocked his acceptance


Tess of the d'Urbervilles, A Pure Woman