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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman:

the end the trampler is much worse off than the trampled upon. Jim Bennet, your being a door- mat may cost other people their souls' salvation. You are selfish in the grain to be a door-mat."

Jim turned pale. His child-like face looked sud- denly old with his mental effort to grasp the other's meaning. In fact, he was a child -- one of the little ones of the world -- although he had lived the span of a man's life. Now one of the hardest problems of the elders of the world was presented to him. "You mean --" he said, faintly.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Bucky O'Connor by William MacLeod Raine:

For three days they blundered around in the hills before they gave it up. The first night, about dusk, the pursuers were without knowing it so warm that one of the bandits lay with his rifle on a rock rim not a stone's throw above them as they wound through a little ravine. But Collins got no glimpse of the robbers. At last he reluctantly gave the word to turn back. Probably the men he wanted had already slipped down to the plains and across to Mexico. If not, they might play hide and seek with him a month in the recesses of these unknown mountains.

Next morning the sheriff struck a telephone wire, tapped it, got Sabin on the line, told him of his failure and that he was

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

after tomorrow, we firstlings of the twentieth century--with all our dangerous curiosity, our multifariousness and art of disguising, our mellow and seemingly sweetened cruelty in sense and spirit--we shall presumably, IF we must have virtues, have those only which have come to agreement with our most secret and heartfelt inclinations, with our most ardent requirements: well, then, let us look for them in our labyrinths!--where, as we know, so many things lose themselves, so many things get quite lost! And is there anything finer than to SEARCH for one's own virtues? Is it not almost to BELIEVE in one's own virtues? But this "believing in one's own virtues"--is it not practically the same


Beyond Good and Evil
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Myths and Myth-Makers by John Fiske:

The lunar spots have afforded a rich subject for the play of human fancy. Plutarch wrote a treatise on them, but the myth-makers had been before him. "Every one," says Mr. Baring-Gould, "knows that the moon is inhabited by a man with a bundle of sticks on his back, who has been exiled thither for many centuries, and who is so far off that he is beyond the reach of death. He has once visited this earth, if the nursery rhyme is to be credited when it asserts that

'The Man in the Moon Came down too soon And asked his way to Norwich';


Myths and Myth-Makers