| The first excerpt represents the past or something you must release, and is drawn from All's Well That Ends Well by William Shakespeare: It is not so with Him that all things knows,
As 'tis with us that square our guess by shows:
But most it is presumption in us when
The help of heaven we count the act of men.
Dear sir, to my endeavours give consent:
Of heaven, not me, make an experiment.
I am not an impostor, that proclaim
Myself against the level of mine aim;
But know I think, and think I know most sure,
My art is not past power nor you past cure.
KING.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Tramp Abroad by Mark Twain: by canal-boat, ox-wagon, raft, and by the Ephesus and
Smyrna railway; but when it comes down to good solid
honest slow motion, I bet my money on the glacier.
As a means of passenger transportation, I consider
the glacier a failure; but as a vehicle of slow freight,
I think she fills the bill. In the matter of putting
the fine shades on that line of business, I judge she
could teach the Germans something.
I ordered the men to break camp and prepare for the land
journey to Zermatt. At this moment a most interesting
find was made; a dark object, bedded in the glacial ice,
|
The third excerpt represents the future or something you must embrace, and is drawn from Some Reminiscences by Joseph Conrad: there, the only reality in an invented world, amongst imaginary
things, happenings, and people. Writing about them, he is only
writing about himself. But the disclosure is not complete. He
remains to a certain extent a figure behind the veil; a suspected
rather than a seen presence--a movement and a voice behind the
draperies of fiction. In these personal notes there is no such
veil. And I cannot help thinking of a passage in the "Imitation
of Christ" where the ascetic author, who knew life so profoundly,
says that "there are persons esteemed on their reputation who by
showing themselves destroy the opinion one had of them." This is
the danger incurred by an author of fiction who sets out to talk
 Some Reminiscences |