The first excerpt represents the past or something you must release, and is drawn from Tattine by Ruth Ogden [Mrs. Charles W. Ide]: an almost impatient looking forward to the supreme moment when they should
start for home with those beautiful geese in their keeping. And at last it
came.
"I wonder if my goose will be a little lonely," said Tattine, as they all
stood about, watching Patrick nail on the laths.
"Faith and it will thin," said Mrs. Kirk. "It never came to my moind that they
wouldn't all three be together. Here's little Grey-wing to keep Blue-ribbon
company," and Mrs. Kirk seized one of the smaller geese that happened to be
near her, and squeezed it into the cage through the small opening that was
left.
"Well, if you can spare it, I think that is better, Mrs. Kirk, because
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Night and Day by Virginia Woolf: on the whole. Considering the increase of traffic, they treat us very
well indeed. I have the curiosity sometimes to count the trucks on the
goods' trains, and they're well over fifty--well over fifty, at this
season of the year."
The old gentleman had been roused agreeably by the presence of this
attentive and well-informed young man, as was evident by the care with
which he finished the last words in his sentences, and his slight
exaggeration in the number of trucks on the trains. Indeed, the chief
burden of the talk fell upon him, and he sustained it to-night in a
manner which caused his sons to look at him admiringly now and then;
for they felt shy of Denham, and were glad not to have to talk
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The third excerpt represents the future or something you must embrace, and is drawn from Dreams by Olive Schreiner: Matjesfontein,
Cape Colony,
South Africa.
November, 1890.
CONTENTS.
I. The Lost Joy.
II. The Hunter (From "The Story of of an African Farm").
III. The Gardens of Pleasure.
IV. In a Far-off World.
V. Three Dreams in a Desert.
VI. A Dream of Wild Bees (Written as a letter to a friend).
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