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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Phoenix and the Turtle by William Shakespeare:

That the turtle saw his right Flaming in the phoenix' sight: Either was the other's mine.

Property was thus appall'd, That the self was not the same; Single nature's double name Neither two nor one was call'd.

Reason, in itself confounded, Saw division grow together; To themselves yet either-neither, Simple were so well compounded.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

of the tongue. It has its counterpart in our own baby-talk, where a quality is predicated of a thing simply by placing the adjective in apposition with the noun.

That the Japanese word which is commonly translated "is" is in no sense a copula, but an ordinary intransitive verb, referring to a natural state, and not to a logical condition, is evident in two ways. In the first place, it is never used to predicate a quality directly. A Japanese does not say, "The scenery is fine," but simply, "Scenery, fine." Secondly, wherever this verb is indirectly employed in such a manner, it is followed, not by an adjective, but by an adverb. Not "She is beautiful, but "She exists beautifully,"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ivanhoe by Walter Scott:

master he is, and a peaceful, as ever was made of wood.---But to be a yeoman in attendance on my sovereign the King---the honour is great, doubtless--- yet, if I were but to step aside to comfort a widow in one corner, or to kill a deer in another, it would be, `where is the dog Priest?' says one. `Who has seen the accursed Tuck?' says another. `The unfrocked villain destroys more venison than half the country besides,' says one keeper; `And is hunting after every shy doe in the country!' quoth a second.---In fine, good my Liege, I pray


Ivanhoe
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Othello by William Shakespeare:

To change the Cods-head for the Salmons taile: She that could thinke, and neu'r disclose her mind, See Suitors following, and not looke behind: She was a wight, (if euer such wightes were) Des. To do what? Iago. To suckle Fooles, and chronicle small Beere

Desde. Oh most lame and impotent conclusion. Do not learne of him aemillia, though he be thy husband. How say you (Cassio) is he not a most prophane, and liberall Counsailor? Cassio. He speakes home (Madam) you may rellish


Othello