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Today's Stichomancy for Lizzie Borden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Pocket Diary Found in the Snow by Grace Isabel Colbron and Augusta Groner:

"Let us in, and then give us the keys of the upstairs rooms." Muller's voice was friendly, but the woman grew perceptibly paler.

"Who are you?" she stammered. Muller threw back his overcoat and showed her his badge. "But there is nobody here, the house is quite empty."

"There were a lady and gentleman here last evening." The woman threw a frightened look at Muller, then she said hesitatingly: "The lady was insane and has been taken to an asylum."

"That is what the man told you. He is a criminal and the police are looking for him."

"Come with me," murmured the woman. She seemed to understand that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Aeroplanes and Dirigibles of War by Frederick A. Talbot:

Moreover, if approaching under cover of night or during thick weather, it will metaphorically "hug the ground." To attempt to complete its task at a great height is to court failure, as the range of vision is necessarily so limited.

Under these circumstances the mining of the air could be carried out upon the obvious approaches to a threatened area. The mines, comprising large charges of high-explosive and combustible material, would be attached to small captive balloons similar to the "sounding balloons" which are so much used by meteorologists in operations for sounding the upper strata of the atmosphere. These pilot balloons would be captive, their thin wires being

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

was never sent to work with the young men.

And now Keola had three periods. First he had a period of being very sad, and then he had a period when he was pretty merry. Last of all came the third, when he was the most terrified man in the four oceans.

The cause of the first period was the girl he had to wife. He was in doubt about the island, and he might have been in doubt about the speech, of which he had heard so little when he came there with the wizard on the mat. But about his wife there was no mistake conceivable, for she was the same girl that ran from him crying in the wood. So he had sailed all this way, and might as well have

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Meno by Plato:

torpedo's shock upon him. When he talks with other persons he has plenty to say about virtue; in the presence of Socrates, his thoughts desert him. Socrates replies that he is only the cause of perplexity in others, because he is himself perplexed. He proposes to continue the enquiry. But how, asks Meno, can he enquire either into what he knows or into what he does not know? This is a sophistical puzzle, which, as Socrates remarks, saves a great deal of trouble to him who accepts it. But the puzzle has a real difficulty latent under it, to which Socrates will endeavour to find a reply. The difficulty is the origin of knowledge:--

He has heard from priests and priestesses, and from the poet Pindar, of an immortal soul which is born again and again in successive periods of