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Today's Stichomancy for Lizzie Borden

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart:

Mrs. Conway. The Cresson trip stood out in my memory for its serio-comic horrors and its one real thrill. Then - the discovery by the police of the seal-skin bag and the bit of chain; Hotchkiss producing triumphantly Stuart for Sullivan and his subsequent discomfiture; McKnight at the station with Alison, and later the confession that he was out of the running.

And yet, when I thought it all over, the entire week and its events were two sides of a triangle that was narrowing rapidly to an apex, a point. And the said apex was at that moment in the drive below my window, resting his long legs by sitting on a carriage block, and smoking a pipe that made the night hideous. The sense of the


The Man in Lower Ten
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot:

the more's the pity."

"Ne'er heed me, Seth," said Wiry Ben, "y' are a down-right good- hearted chap, panels or no panels; an' ye donna set up your bristles at every bit o' fun, like some o' your kin, as is mayhap cliverer."

"Seth, lad," said Adam, taking no notice of the sarcasm against himself, "thee mustna take me unkind. I wasna driving at thee in what I said just now. Some 's got one way o' looking at things and some 's got another."

"Nay, nay, Addy, thee mean'st me no unkindness," said Seth, "I know that well enough. Thee't like thy dog Gyp--thee bark'st at


Adam Bede
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Grimm's Fairy Tales by Brothers Grimm:

'The little urchin is only trying to make fools of us.' So they came back and whispered softly to him, saying, 'Now let us have no more of your roguish jokes; but throw us out some of the money.' Then Tom called out as loud as he could, 'Very well! hold your hands! here it comes.'

The cook heard this quite plain, so she sprang out of bed, and ran to open the door. The thieves ran off as if a wolf was at their tails: and the maid, having groped about and found nothing, went away for a light. By the time she came back, Tom had slipped off into the barn; and when she had looked about and searched every hole and corner, and found nobody, she went to bed, thinking she must have been dreaming


Grimm's Fairy Tales
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Edition of The Ambassadors by Henry James:

she pursued with an interested gravity, "that I do, that we all do here, run too much to mere eye. But how can it be helped? We're all looking at each other--and in the light of Paris one sees what things resemble. That's what the light of Paris seems always to show. It's the fault of the light of Paris--dear old light!"

"Dear old Paris!" little Bilham echoed.

"Everything, every one shows," Miss Barrace went on.

"But for what they really are?" Strether asked.

"Oh I like your Boston 'reallys'! But sometimes--yes."

"Dear old Paris then!" Strether resignedly sighed while for a moment they looked at each other. Then he broke out: "Does