| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Man in Lower Ten by Mary Roberts Rinehart: Mrs. Conway. The Cresson trip stood out in my memory for its
serio-comic horrors and its one real thrill. Then - the discovery
by the police of the seal-skin bag and the bit of chain; Hotchkiss
producing triumphantly Stuart for Sullivan and his subsequent
discomfiture; McKnight at the station with Alison, and later the
confession that he was out of the running.
And yet, when I thought it all over, the entire week and its events
were two sides of a triangle that was narrowing rapidly to an apex,
a point. And the said apex was at that moment in the drive below
my window, resting his long legs by sitting on a carriage block,
and smoking a pipe that made the night hideous. The sense of the
 The Man in Lower Ten |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adam Bede by George Eliot: the more's the pity."
"Ne'er heed me, Seth," said Wiry Ben, "y' are a down-right good-
hearted chap, panels or no panels; an' ye donna set up your
bristles at every bit o' fun, like some o' your kin, as is mayhap
cliverer."
"Seth, lad," said Adam, taking no notice of the sarcasm against
himself, "thee mustna take me unkind. I wasna driving at thee in
what I said just now. Some 's got one way o' looking at things
and some 's got another."
"Nay, nay, Addy, thee mean'st me no unkindness," said Seth, "I
know that well enough. Thee't like thy dog Gyp--thee bark'st at
 Adam Bede |