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Today's Stichomancy for Louis Armstrong

The first excerpt represents the past or something you must release, and is drawn from Glinda of Oz by L. Frank Baum:

come from Kansas to live in the Land of Oz. Dorothy might encounter dangers that to Ozma would be as nothing but to an "Earth child" would be very serious.

The very fact that Dorothy lived in Oz, and had been made a Princess by her friend Ozma, prevented her from being killed or suffering any great bodily pain as long as she lived in that fairyland. She could not grow big, either, and would always remain the same little girl who had come to Oz, unless in some way she left that fairyland or was spirited away from it. But Dorothy was a mortal, nevertheless, and might possibly be


Glinda of Oz
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rinkitink In Oz by L. Frank Baum:

sprawling into the bottom of the boat, and Inga helped him to get to the front end, where there was enough space for him to lie down.

Rinkitink now took his seat in the silver-lined craft and the boy came last, pushing off the boat as he sprang aboard, so that it floated freely upon the water.

"Well, here we go for Gilgad!" exclaimed the King, picking up the oars and placing them in the row-locks. Then he began to row as hard as he could, singing at the same time an odd sort of a song that ran like this


Rinkitink In Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Secrets of the Princesse de Cadignan by Honore de Balzac:

put in their right place, and never lose it. A poor nobleman, he had understood his epoch well enough to seek personal distinction only. He had struggled long in the Parisian arena, against the wishes of a rich uncle who, by a contradiction which vanity must explain, after leaving his nephew a prey to the utmost penury, bequeathed to the man who had reached celebrity the fortune so pitilessly refused to the unknown writer. This sudden change in his position made no change in Daniel d'Arthez's habits; he continued to work with a simplicity worthy of the antique past, and even assumed new toils by accepting a seat in the Chamber of Deputies, where he took his seat on the Right.

Since his accession to fame he had sometimes gone into society. One of