| The first excerpt represents the past or something you must release, and is drawn from Jerusalem Delivered by Torquato Tasso: To enchant the valiant, and beguile the wise.
LXXXVI
And when she saw her enterprise had got
Some wished mean of quick and good proceeding,
She thought to strike the iron that was hot,
For every action hath his hour of speeding:
Medea or false Circe changed not
So far the shapes of men, as her eyes spreading
Altered their hearts, and with her syren's sound
In lust, their minds, their hearts, in love she drowned.
LXXXVII
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Unconscious Comedians by Honore de Balzac: ardor that Jenny Cadine exclaimed, shaking her fingers: "Take care! I
haven't any others."
When the three friends got back into their own vehicle, Gazonal
endeavoured to seize Bixiou round the waist, crying out: "She bites!
You're a fine rascal!"
"So women say," replied Bixiou.
At half-past eleven o'clock, after the play, another citadine took the
trio to the house of Mademoiselle Seraphine Sinet, better known under
the name of Carabine,--one of those pseudonyms which famous lorettes
take, or which are given to them; a name which, in this instance, may
have referred to the pigeons she had killed.
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The third excerpt represents the future or something you must embrace, and is drawn from The Glimpses of the Moon by Edith Wharton: to blame than any young man who has paid for good dinners by
good manners, he was to be deprived of the one complete
companionship he had ever known ....
His thoughts travelled on. He recalled the long dull spring in
New York after his break with Susy, the weary grind on his last
articles, his listless speculations as to the cheapest and least
boring way of disposing of the summer; and then the amazing luck
of going, reluctantly and at the last minute, to spend a Sunday
with the poor Nat Fulmers, in the wilds of New Hampshire, and of
finding Susy there--Susy, whom he had never even suspected of
knowing anybody in the Fulmers' set!
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