| The first excerpt represents the past or something you must release, and is drawn from Fables by Robert Louis Stevenson: was born to free them.
There was in that village a sword of heavenly forgery, beaten upon
Vulcan's anvil. It was never used but in the temple, and then the
flat of it only; and it hung on a nail by the catechist's chimney.
Early one night, Jack rose, and took the sword, and was gone out of
the house and the village in the darkness.
All night he walked at a venture; and when day came, he met
strangers going to the fields. Then he asked after the Wood of Eld
and the house of sorcery; and one said north, and one south; until
Jack saw that they deceived him. So then, when he asked his way of
any man, he showed the bright sword naked; and at that the gyve on
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Misalliance by George Bernard Shaw: _[To Gunner]_ A cup of tea will pick you up.
GUNNER. I'd rather not. I'm all right.
TARLETON. _[going to the sideboard]_ Here! try a mouthful of sloe
gin.
GUNNER. No, thanks. I'm a teetotaler. I cant touch alcohol in any
form.
TARLETON. Nonsense! This isnt alcohol. Sloe gin. Vegetarian, you
know.
GUNNER. _[hesitating]_ Is it a fruit beverage?
TARLETON. Of course it is. Fruit beverage. Here you are. _[He
gives him a glass of sloe gin]._
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The third excerpt represents the future or something you must embrace, and is drawn from Alexandria and her Schools by Charles Kingsley: notions of the Gods, as beings subject to human passions and vices, and
of theurgy and magic, as material means of compelling them to appear, or
alluring them to favour man. The answer of Abamnon, Anebos, Iamblichus,
or whoever the real author may have been, is worthy of perusal by every
metaphysical student, as a curious phase of thought, not confined to
that time, but rife, under some shape or other, in every age of the
world's history, and in this as much as in any. There are many passages
full of eloquence, many more full of true and noble thought: but on the
whole, it is the sewing of new cloth into an old garment; the attempt to
suit the old superstition to the new one, by eclectically picking and
choosing, and special pleading, on both sides; but the rent is only made
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