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Today's Stichomancy for Louis Armstrong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Memories and Portraits by Robert Louis Stevenson:

own quality of speech, vocal or verbal. In like manner, local custom and prejudice, even local religion and local law, linger on into the latter end of the nineteenth century - IMPERIA IN IMPERIO, foreign things at home.

In spite of these promptings to reflection, ignorance of his neighbours is the character of the typical John Bull. His is a domineering nature, steady in fight, imperious to command, but neither curious nor quick about the life of others. In French colonies, and still more in the Dutch, I have read that there is an immediate and lively contact between the dominant and the dominated race, that a certain sympathy is begotten, or at the least a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chouans by Honore de Balzac:

"Under the first apple-tree--Holy Virgin! at the bottom of the garden to the left--you are brigands--thieves! Ah! I'm dying--there's ten thousand francs--"

"Francs! we don't want francs," said Marche-a-Terre; "those Republican coins have pagan figures which oughtn't to pass."

"They are not francs, they are good louis d'or. But oh! undo me, unbind me! I've told you where my life is--my money."

The four Chouans looked at each other as if thinking which of their number they could trust sufficiently to disinter the money.

The cannibal cruelty of the scene so horrified Mademoiselle de Verneuil that she could bear it no longer. Though doubtful whether the


The Chouans
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Beauty and The Beast by Bayard Taylor:

awning, buried his face in his hands, and wept passionately. Once or twice he essayed to speak, but his voice was choked by sobs, and, after a look from the streaming eyes which Asenath could scarcely bear to meet, he again covered his face. A stranger, coming down the street, paused out of curiosity. "Come, come!" cried Eli, once more, eager to escape from the scene. His daughter stood still, and the man slowly passed on.

Asenath could not thus leave her lost lover, in his despairing grief. She again turned to him, her own tears flowing fast and free.

"I do not judge thee, Richard, but the words that passed between us

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lysis by Plato:

much? 'To be sure they do.' 'Then of course they allow him to do exactly as he likes.' 'Of course not: the very slaves have more liberty than he has.' 'But how is this?' 'The reason is that he is not old enough.' 'No; the real reason is that he is not wise enough: for are there not some things which he is allowed to do, although he is not allowed to do others?' 'Yes, because he knows them, and does not know the others.' This leads to the conclusion that all men everywhere will trust him in what he knows, but not in what he does not know; for in such matters he will be unprofitable to them, and do them no good. And no one will love him, if he does them no good; and he can only do them good by knowledge; and as he is still without knowledge, he can have as yet no conceit of knowledge. In this manner


Lysis