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Today's Stichomancy for Louis Armstrong

The first excerpt represents the past or something you must release, and is drawn from Pivot of Civilization by Margaret Sanger:

A few pages later, however, Marx comes back again to the question of over-population, failing to realize that it is to the capitalists' advantage that the working classes are unceasingly prolific. ``The folly is now patent,'' writes the unsuspecting Marx, ``of the economic wisdom that preaches to the laborers the accommodation of their numbers to the requirements of capital. The mechanism of capitalist production and accumulation constantly affects this adjustment. The first work of this adaptation is the creation of a relatively surplus population or industrial reserve army. Its last work is the misery of constantly extending strata of the army of labor, and the dead weight of pauperism.'' A little later he ventures again in the direction of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Essays of Travel by Robert Louis Stevenson:

walked with my nurse, under an autumnal sunset, on the banks of the Water of Leith: the place is long ago built up; no pastures now, no stubble-fields; only a maze of little streets and smoking chimneys and shrill children. Here, in the fleecy person of a sheep, I seemed to myself to follow something unseen, unrealised, and yet benignant; and close by the sheep in which I was incarnated - as if for greater security - rustled the skirt, of my nurse. 'Death's dark vale' was a certain archway in the Warriston Cemetery: a formidable yet beloved spot, for children love to be afraid, - in measure as they love all experience of vitality. Here I beheld myself some paces ahead (seeing myself, I mean, from behind) utterly alone in that uncanny

The third excerpt represents the future or something you must embrace, and is drawn from Another Study of Woman by Honore de Balzac:

reputation in Paris. "The explanation of certain words added from time to time to your beautiful language would make a magnificent history. /Organize/, for instance, is the word of the Empire, and sums up Napoleon completely."

"But all that does not explain what is meant by a lady!" the young Pole exclaimed, with some impatience.

"Well, I will tell you," said Emile Blondet to Count Adam. "One fine morning you go for a saunter in Paris. It is past two, but five has not yet struck. You see a woman coming towards you; your first glance at her is like the preface to a good book, it leads you to expect a world of elegance and refinement. Like a botanist over hill and dale