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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twilight Land by Howard Pyle:

could not look at it or wonder at it enough. The prime-minister and the king talked and talked the matter over together, and every now and then the proud princess put in a word of her own.

"Anybody," said the prime-minister, "can see with half an eye that it is all magic, or else it is a wonderful piece of good luck. Now, I'll tell you what shall be done," said he: "the princess shall keep a piece of chalk by her; and, if she is carried away again in such a fashion, she shall mark a cross with the piece of chalk on the door of the house to which she is taken. Then we shall find the rogue that is playing such a trick, and that quickly enough."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

which impelled the strange pertinacity of my pursuit would have been unintelligible. I have said that a very disagreeable impression remained on my mind respecting certain aspects of his character, and I felt somewhat ashamed of my imperfect sagacity in having up to this period been entirely blind to those aspects. The truth is, every human being is a mystery, and remains so to the last. We fancy we know a character; we form a distinct conception of it; for years that conception remains unmodified, and suddenly the strain of some emergency, of the incidental stimulus of new circumstances, reveals qualities not simply unexpected, but flatly contradictory of our previous conception. We judge of a man by the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Tragedy of Pudd'nhead Wilson by Mark Twain:

But she stuck to her point until she wearied a confession out of him: he had been prowling about in disguise, stealing small valuables from private houses; in fact, he made a good deal of a raid on his fellow villagers a fortnight before, when he was supposed to be in St. Louis; but he doubted if he had sent away enough stuff to realize the required amount, and was afraid to make a further venture in the present excited state of the town. His mother approved of his conduct, and offered to help, but this frightened him. He tremblingly ventured to say that if she would retire from the town he should feel better and safer, and could hold his head higher--and was going on to make an argument, but she interrupted and surprised him pleasantly by saying

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Alcibiades II by Platonic Imitator:

you change about in all directions, and never come to rest anywhere: what you once most strongly inclined to suppose, you put aside again and quite alter your mind. If the God to whose shrine you are going should appear at this moment, and ask before you made your prayer, 'Whether you would desire to have one of the things which we mentioned at first, or whether he should leave you to make your own request:'--what in either case, think you, would be the best way to take advantage of the opportunity?

ALCIBIADES: Indeed, Socrates, I could not answer you without consideration. It seems to me to be a wild thing (The Homeric word margos is said to be here employed in allusion to the quotation from the 'Margites' which Socrates has just made; but it is not used in the sense