| The first excerpt represents the past or something you must release, and is drawn from To-morrow by Joseph Conrad: times in the town were smuggled rapidly across the
front garden under his canvas coat. Then, coming
out, he would remark apologetically, "It was only
a small kettle, my dear."
And, if not too tired with her drudgery, or wor-
ried beyond endurance by her father, she would
laugh at him with a blush, and say: "That's all
right, Captain Hagberd; I am not impatient."
"Well, my dear, you haven't long to wait now,"
he would answer with a sudden bashfulness, and
looking uneasily, as though he had suspected that
 To-morrow |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Running a Thousand Miles for Freedom by William and Ellen Craft: on her than, without having any intimation that
the discovery had been previously made, she un-
hesitatingly exclaimed, "My God! here is the
long-lost Salome Muller."
The Law Reporter, in its account of this case,
says:--
"As many of the German emigrants of 1818 as
could be gathered together were brought to the
house of Mrs. Schubert, and every one of the
number who had any recollection of the little girl
upon the passage, or any acquaintance with her
 Running a Thousand Miles for Freedom |
The third excerpt represents the future or something you must embrace, and is drawn from Pellucidar by Edgar Rice Burroughs: He saw me, though, when I arose and, sensing that
no friend came thus precipitately, turned to meet me
even as I charged him. I had my stone knife in my
hand, and he had his. In the darkness of the cave
there was little opportunity for a display of science,
though even at that I venture to say that we fought
a very pretty duel.
Before I came to Pellucidar I do not recall that I
ever had seen a stone knife, and I am sure that I never
fought with a knife of any description; but now I do
not have to take my hat off to any of them when it
 Pellucidar |