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Today's Stichomancy for Lucky Luciano

The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare:

Enter Queene of Fairies, with her traine.

Queen. Come, now a Roundell, and a Fairy song; Then for the third part of a minute hence, Some to kill Cankers in the muske rose buds, Some warre with Reremise, for their leathern wings. To make my small Elues coates, and some keepe backe The clamorous Owle that nightly hoots and wonders At our queint spirits: Sing me now asleepe, Then to your offices, and let me rest

Fairies Sing. You spotted Snakes with double tongue, Thorny Hedgehogges be not seene,


A Midsummer Night's Dream
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Complete Angler by Izaak Walton:

commendation of Angling, which he calls an art; but doubtless it is an easy one: and, Mr. Auceps, I doubt we shall hear a watery discourse of it, but I hope it will not be a long one.

Auceps. And I hope so too, though I fear it will.

Piscator. Gentlemen, let not prejudice prepossess you. I confess my discourse is like to prove suitable to my recreation, calm and quiet; we seldom take the name of God into our mouths, but it is either to praise him, or pray to him: if others use it vainly in the midst of their recreations, so vainly as if they meant to conjure, I must tell you, it is neither our fault nor our custom; we protest against it. But, pray remember, I accuse nobody; for as I would not make a " watery

The third excerpt represents the future or something you must embrace, and is drawn from The Art of War by Sun Tzu:

note.]

52. We cannot enter into alliance with neighboring princes until we are acquainted with their designs. We are not fit to lead an army on the march unless we are familiar with the face of the country--its mountains and forests, its pitfalls and precipices, its marshes and swamps. We shall be unable to turn natural advantages to account unless we make use of local guides.

[These three sentences are repeated from VII. SS. 12-14 -- in order to emphasize their importance, the commentators seem to think. I prefer to regard them as interpolated here in order to form an antecedent to the following words. With regard to local


The Art of War