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Today's Stichomancy for Lucky Luciano

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Damaged Goods by Upton Sinclair:

George went to spend the day with his little "family," so that his coming became almost a matter of tradition. He interested her in church affairs--mass and vespers were her regular occasions for excursions. George rented two seats, and the grandmother went with her to the services. The simple people were proud to see their name engraved upon the brass plate of the pew.

The reason for all these precautions was George's terror of disease. He had been warned by his father as to the dangers which young men encounter in their amours. And these lessons had sunk deep into George's heart; he had made up his mind that

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shakespeare's Sonnets by William Shakespeare:

How many gazers mightst thou lead away, if thou wouldst use the strength of all thy state! But do not so; I love thee in such sort, As, thou being mine, mine is thy good report.

XCVII

How like a winter hath my absence been From thee, the pleasure of the fleeting year! What freezings have I felt, what dark days seen! What old December's bareness everywhere! And yet this time removed was summer's time; The teeming autumn, big with rich increase,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Songs of Travel by Robert Louis Stevenson:

The rarer ship and the rare boat He marks; and only hears remote, Where thrones and fortunes rise and reel, The thunder of the turning wheel.

V

For the unexpected tears he shed At my departing, may his lion head Not whiten, his revolving years No fresh occasion minister of tears; At book or cards, at work or sport, Him may the breeze across the palace court

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Adventures of Sherlock Holmes by Arthur Conan Doyle:

horrible worrying sound which it was dreadful to listen to. An elderly man with a red face and shaking limbs came staggering out at a side door.

"My God!" he cried. "Someone has loosed the dog. It's not been fed for two days. Quick, quick, or it'll be too late!"

Holmes and I rushed out and round the angle of the house, with Toller hurrying behind us. There was the huge famished brute, its black muzzle buried in Rucastle's throat, while he writhed and screamed upon the ground. Running up, I blew its brains out, and it fell over with its keen white teeth still meeting in the great creases of his neck. With much labour we separated them and


The Adventures of Sherlock Holmes