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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

crossed the Mississippi--I was slumbering soundly, and so missed it.

"I'll bet I don't miss it coming back," I vowed.

The sight of the Missouri, however, somewhat repaid me for the loss. What a muddy, wide river! And I thought of the thousands of miles of country it drained, and of the forests there must be at its source. Then came the never-ending Kansas corn-fields. I do not know whether it was their length or their treeless monotony, but I grew tired looking at them.

From then on I began to take some notice of my fellow-travelers. The conductor proved to be an agreeable old fellow; and the train-boy, though I mistrusted his advances because he tried to sell me everything from chewing-gum to mining stock, turned out to be pretty good company. The


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tono Bungay by H. G. Wells:

"These socialists have no sense of proportion," he said. "What can you expect of them?"

IV

Ewart, as the embodiment of talk, was certainly a leading factor in my conspicuous failure to go on studying. Social theory in its first crude form of Democratic Socialism gripped my intelligence more and more powerfully. I argued in the laboratory with the man who shared my bench until we quarreled and did not speak and also I fell in love.

The ferment of sex had been creeping into my being like a slowly advancing tide through all my Wimblehurst days, the stimulus of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Passion in the Desert by Honore de Balzac:

cudgel, was nearly three feet long. The head, large as that of a lioness, was distinguished by a rare expression of refinement. The cold cruelty of a tiger was dominant, it was true, but there was also a vague resemblance to the face of a sensual woman. Indeed, the face of this solitary queen had something of the gaiety of a drunken Nero: she had satiated herself with blood, and she wanted to play.

The soldier tried if he might walk up and down, and the panther left him free, contenting herself with following him with her eyes, less like a faithful dog than a big Angora cat, observing everything and every movement of her master.

When he looked around, he saw, by the spring, the remains of his

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Whirligigs by O. Henry:

of green fields and liquescent waters. They were on a lower plane of earth and life and were succumbing to its peculiar, subtle influence. The austerity of the hills no longer thinned the air they breathed. About them was the breath of fruit and corn and builded homes, the comfortable smell of smoke and warm earth and the consolations man has placed between himself and the dust of his brother earth from which he sprung. While traversing those awful mountains, Mile. Giraud had seemed to be wrapped in their spirit of reverent reserve. Was this that same woman -- now palpitating, warm,