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Today's Stichomancy for M. C. Escher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe:

Only to grow brown again when there.

"Mother, to this final prayer give ear!

Let a funeral pile be straightway dress'd; Open then my cell so sad and drear,

That the flames may give the lovers rest!

When ascends the fire

From the glowing pyre,

To the gods of old we'll hasten, blest."

1797. ----- THE GOD AND THE BAYADERE.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Age of Innocence by Edith Wharton:

up by the coming of the second lamp.

"The fact is," Mr. van der Luyden continued, stroking his long grey leg with a bloodless hand weighed down by the Patroon's great signet-ring, "the fact is, I dropped in to thank her for the very pretty note she wrote me about my flowers; and also--but this is between ourselves, of course--to give her a friendly warning about allowing the Duke to carry her off to parties with him. I don't know if you've heard--"

Mrs. Archer produced an indulgent smile. "Has the Duke been carrying her off to parties?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Shadow Line by Joseph Conrad:

he put on the natural sailor-like agility of his movements. It was as though he had something very fragile or very explosive to carry about his person and was all the time aware of it.

I had occasion to address him once or twice. He answered me in his pleasant, quiet voice and with a faint, slightly wistful smile. Mr. Burns appeared to be resting. He seemed fairly comfortable.

After sunset I came out on deck again to meet only a still void. The thin, featureless crust of the coast could not be distinguished. The darkness


The Shadow Line
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Divine Comedy (translated by H.F. Cary) by Dante Alighieri:

See G. Villani, 1. vii. c. 102. and Mariana, I. xiv. c. 9. He is enumerated among the Provencal poets by Millot, Hist. Litt. Des Troubadours, t. iii. p. 150.

v. 111. Him of feature prominent.] "Dal maschio naso"-with the masculine nose." Charles I. King of Naples, Count of Anjou, and brother of St. Lonis. He died in 1284. The annalist of Florence remarks, that "there had been no sovereign of the house of France, since the time of Charlemagne, by whom Charles was surpassed either in military renown, and prowess, or in the loftiness of his understanding." G. Villani, 1. vii. c. 94. We shall, however, find many of his actions severely reprobated


The Divine Comedy (translated by H.F. Cary)