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Today's Stichomancy for M. C. Escher

The first excerpt represents the past or something you must release, and is drawn from The Perfect Wagnerite: A Commentary on the Niblung's Ring by George Bernard Shaw:

bird or the unstable, delusive Loki; but for all that the musical characterization must be regarded as independent of the specific themes, since the entire elimination of the thematic system from the score would leave the characters as well distinguished musically as they are at present.

One more illustration of the way in which the thematic system is worked. There are two themes connected with Loki. One is a rapid, sinuous, twisting, shifty semiquaver figure suggested by the unsubstantial, elusive logic-spinning of the clever one's braincraft. The other is the fire theme. In the first act of Siegfried, Mimmy makes his unavailing attempt to explain fear to

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Dream-Quest of Unknown Kadath by H. P. Lovecraft:

he would next day shew him the wonders of the twilight city, and lead him to the taverns of the onyx-miners by the northern wall. And evening fell, and little bronze lamps were lighted, and the sailors in that tavern sang songs of remote places. But when from its high tower the great bell shivered over the city, and the peal of the horns and viols and voices rose cryptical in answer thereto, all ceased their songs or tales and bowed silent till the. last echo died away. For there is a wonder and a strangeness on the twilight city of Inquanok, and men fear to be lax in its rites lest a doom and a vengeance lurk unsuspectedly close. Far


The Dream-Quest of Unknown Kadath
The third excerpt represents the future or something you must embrace, and is drawn from Othello by William Shakespeare:

But notwithstanding with my personall eye Will I looke to't

Othe. Iago, is most honest: Michael, goodnight. To morrow with your earliest, Let me haue speech with you. Come my deere Loue, The purchase made, the fruites are to ensue, That profit's yet to come 'tweene me, and you. Goodnight. Enter.

Enter Iago.

Cas. Welcome Iago: we must to the Watch


Othello