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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the past or something you must release, and is drawn from The Insidious Dr. Fu-Manchu by Sax Rohmer:

at last was free, and no more with her smile would tempt men to death-- that her brother might live.

Many there are, I doubt not, who will regard the Eastern girl with horror. I ask their forgiveness in that I regarded her quite differently. No man having seen her could have condemned her unheard. Many, having looked into her lovely eyes, had they found there what I found, must have forgiven her almost any crime.

That she valued human life but little was no matter for wonder. Her nationality--her history--furnished adequate excuse for an attitude not condonable in a European equally cultured.

But indeed let me confess that hers was a nature incomprehensible to me


The Insidious Dr. Fu-Manchu
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Hamlet by William Shakespeare:

As false as Dicers Oathes. Oh such a deed, As from the body of Contraction pluckes The very soule, and sweete Religion makes A rapsidie of words. Heauens face doth glow, Yea this solidity and compound masse, With tristfull visage as against the doome, Is thought-sicke at the act

Qu. Aye me; what act, that roares so lowd, & thunders in the Index

Ham. Looke heere vpon this Picture, and on this, The counterfet presentment of two Brothers:


Hamlet
The third excerpt represents the future or something you must embrace, and is drawn from Richard III by William Shakespeare:

The men you talk of came into my mind. What, go you toward the Tower? BUCKINGHAM. I do, my lord, but long I cannot stay there; I shall return before your lordship thence. HASTINGS. Nay, like enough, for I stay dinner there. BUCKINGHAM. [Aside] And supper too, although thou knowest it not.- Come, will you go? HASTINGS. I'll wait upon your lordship. Exeunt

SCENE 3.

Pomfret Castle


Richard III