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Today's Stichomancy for Mahmoud Ahmadinejad

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Main Street by Sinclair Lewis:

these towns from trains on this same line. He grumbled, "Why, what's the matter with 'em? Good hustling burgs. It would astonish you to know how much wheat and rye and corn and potatoes they ship in a year."

"But they're so ugly."

"I'll admit they aren't comfy like Gopher Prairie. But give 'em time."

"What's the use of giving them time unless some one has desire and training enough to plan them? Hundreds of factories trying to make attractive motor cars, but these towns-- left to chance. No! That can't be true. It must have taken

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Kenilworth by Walter Scott:

proof against such cant ever since I sent twenty good gold pieces (marry, it was in the nonage of my wit) to advance the grand magisterium, all which, God help the while, vanished IN FUMO. Since that moment, when I paid for my freedom, I defy chemistry, astrology, palmistry, and every other occult art, were it as secret as hell itself, to unloose the stricture of my purse- strings. Marry, I neither defy the manna of Saint Nicholas, nor can I dispense with it. The first task must be to prepare some when thou gett'st down to my little sequestered retreat yonder, and then make as much gold as thou wilt."

"I will make no more of that dose," said the alchemist,


Kenilworth
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

of the theological struggles of that phase of civilisation and world unity which produced Christianity, was a persistent but unsuccessful attempt to get these two different ideas of God into one focus. It was an attempt to make the God of Nature accessible and the God of the Heart invincible, to bring the former into a conception of love and to vest the latter with the beauty of stars and flowers and the dignity of inexorable justice. There could be no finer metaphor for such a correlation than Fatherhood and Sonship. But the trouble is that it seems impossible to most people to continue to regard the relations of the Father to the Son as being simply a mystical metaphor. Presently some materialistic bias swings them in a moment

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Unconscious Comedians by Honore de Balzac:

her order and pay for a fifteen-hundred-franc dress; you understand that in those days people were made to pay when they bought. The next day but one she appeared at an ambassador's ball, dressed to please all the world and some one in particular. That day I said to myself: 'I've got a career! When I'm no longer young I'll lend money to great ladies on their finery; for passion never calculates, it pays blindly.' If you want subjects for a vaudeville I can sell you plenty."

She departed after delivering this tirade, in which all the phases of her past life were outlined, leaving Gazonal as much horrified by her revelations as by the five yellow teeth she showed when she tried to