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Today's Stichomancy for Mao Zedong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

accomplish?"

The soldier reflected. "I was there a month ago," he replied. "I observed that the flood of last winter had lodged a great quantity of driftwood against the wooden pier at this end of the bridge. It is now dry and would burn like tinder."

The lady had now brought the water, which the soldier drank. He thanked her ceremoniously, bowed to her husband and rode away. An hour later, after nightfall, he repassed the plantation, going northward in the direction from which he had come. He was a Federal scout.


An Occurrence at Owl Creek Bridge
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Arizona Nights by Stewart Edward White:

easily along. In fifteen minutes he drew rein, his pony dropped immediately from a gallop to immobility, he swung into a graceful at-ease attitude across his saddle, grinned amiably, and began to roll a cigarette.

"Billy Ellis," cried Rich. "That's me," replied the newcomer. "Thought you were down to Tucson?" "I was."

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Blix by Frank Norris:

fierce movement of impatience, and consulted it a second time. His "supper Mexican" remained untasted before him; Condy and Blix heard him breathing loud through his nose. That he was profoundly agitated, they could not doubt for a single moment. All at once a little panic terror seemed to take possession of him. He rose, seized his hat, jammed it over his ears, slapped a half-dollar upon the table, and strode from the restaurant. This is what the read-headed man had read in the despatch; this is what Blix had written:

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Resurrection by Leo Tolstoy:

From inside the cell came the sound of bustle and women's voices, and the patter of bare feet on the floor.

"Now, then, hurry up, Maslova, I say!" called out the jailer, and in a minute or two a small young woman with a very full bust came briskly out of the door and went up to the jailer. She had on a grey cloak over a white jacket and petticoat. On her feet she wore linen stockings and prison shoes, and round her head was tied a white kerchief, from under which a few locks of black hair were brushed over the forehead with evident intent. The face of the woman was of that whiteness peculiar to people who have lived long in confinement, and which puts one in mind of shoots of


Resurrection