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Today's Stichomancy for Mariah Carey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthydemus by Plato:

scholastic subtlety, in which the catchwords of philosophy are completely detached from their context. (Compare Theaet.) To such disputes the humour, whether of Plato in the ancient, or of Pope and Swift in the modern world, is the natural enemy. Nor must we forget that in modern times also there is no fallacy so gross, no trick of language so transparent, no abstraction so barren and unmeaning, no form of thought so contradictory to experience, which has not been found to satisfy the minds of philosophical enquirers at a certain stage, or when regarded from a certain point of view only. The peculiarity of the fallacies of our own age is that we live within them, and are therefore generally unconscious of them.

Aristotle has analysed several of the same fallacies in his book 'De

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from All's Well That Ends Well by William Shakespeare:

Must sanctify his relics. Who comes here? One that goes with him: I love him for his sake; And yet I know him a notorious liar, Think him a great way fool, solely a coward; Yet these fix'd evils sit so fit in him That they take place when virtue's steely bones Looks bleak i' the cold wind: withal, full oft we see Cold wisdom waiting on superfluous folly.

[Enter PAROLLES.]

PAROLLES. Save you, fair queen!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Life of the Spider by J. Henri Fabre:

slightly by the mere act of perspiration. We used to rub our fingers with a little oil before handling the twigs in which the Goldfinch was to be caught; even so the Epeira varnishes herself with a special sweat, to operate on any part of her web without fear of the lime-threads.

However, an unduly protracted stay on the sticky threads would have its drawbacks. In the long run, continual contact with those threads might produce a certain adhesion and inconvenience the Spider, who must preserve all her agility in order to rush upon the prey before it can release itself. For this reason, gummy threads are never used in building the post of interminable waiting.


The Life of the Spider
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

Briefly, then, the housekeeper's story was this:

She was almost forty years old, and had been the sister-mother of a large family of children. One by one they had died, and been buried beside their parents in a little town in the Middle West. There was only one sister left, the baby, Lucy. On her the older girl had lavished all the love of an impulsive and emotional nature. When Anne, the elder, was thirty-two and Lucy was nineteen, a young man had come to the town. He was going east, after spending the summer at a celebrated ranch in Wyoming--one of those places where wealthy men send worthless and dissipated sons, for a season of temperance, fresh air and hunting. The


The Circular Staircase