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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the past or something you must release, and is drawn from Allan Quatermain by H. Rider Haggard:

how he would have hated the whole thing could he have been there to see it, for he had a horror of ostentation.

And so, a few minutes before sunset, on the third night after his death, they laid him on the brazen flooring before the altar, and waited for the last ray of the setting sun to fall upon his face. Presently it came, and struck him like a golden arrow, crowning the pale brows with glory, and then the trumpets blew, and the flooring revolved, and all that remained of our beloved friend fell into the furnace below.

We shall never see his like again if we live a hundred years. He was the ablest man, the truest gentleman, the firmest friend,


Allan Quatermain
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Black Arrow by Robert Louis Stevenson:

not lay a hand on you. An ye were the devil, ye might go where ye will for me. Seek God's forgiveness; mine ye have freely. But to go on to Holywood is different. I carry arms for York, and I will suffer no spy within their lines. Hold it, then, for certain, if ye set one foot before another, I will uplift my voice and call the nearest post to seize you."

"Ye mock me," said Sir Daniel. "I have no safety out of Holywood."

"I care no more," returned Richard. "I let you go east, west, or south; north I will not. Holywood is shut against you. Go, and seek not to return. For, once ye are gone, I will warn every post about this army, and there will be so shrewd a watch upon all

The third excerpt represents the future or something you must embrace, and is drawn from Almayer's Folly by Joseph Conrad:

met by her mother's extended arm and by a low murmured warning not to make a noise.

"Have you seen them, mother?" asked Nina, in a breathless whisper.

Mrs. Almayer turned her face towards the girl, and her sunken eyes shone strangely in the red half-light of the passage.

"I saw him," she said, in an almost inaudible tone, pressing her daughter's hand with her bony fingers. "A great Rajah has come to Sambir--a Son of Heaven," muttered the old woman to herself. "Go away, girl!"

The two women stood close to the curtain, Nina wishing to


Almayer's Folly