Today's Stichomancy for Marlon Brando
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Voyage to Abyssinia by Father Lobo: their revenge by putting me to the most painful death they could
have invented. Happily I found means to retire out of this
dangerous place, and was followed by the viceroy almost to Fremona,
who, being disappointed, desired me either to visit him at his camp,
or appoint a place where we might confer. I made many excuses, but
at length agreed to meet him at a place near Fremona, bringing each
of us only three companions. I did not doubt but he would bring
more, and so he did, but found that I was upon my guard, and that my
company increased in proportion to his. My friends were resolute
Portuguese, who were determined to give him no quarter if he made
any attempt upon my liberty. Finding himself once more
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf: laid down for herself. This indifferent, if not hostile, attitude on
William's part made it impossible to break off without animosity,
largely and completely. Infinitely preferable was Mary's state, she
thought, where there was a simple thing to do and one did it. In fact,
she could not help supposing that some littleness of nature had a part
in all the refinements, reserves, and subtleties of feeling for which
her friends and family were so distinguished. For example, although
she liked Cassandra well enough, her fantastic method of life struck
her as purely frivolous; now it was socialism, now it was silkworms,
now it was music--which last she supposed was the cause of William's
sudden interest in her. Never before had William wasted the minutes of
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Walden by Henry David Thoreau: dwellings, though it was then much more shut in by the forest than
now. In some places, within my own remembrance, the pines would
scrape both sides of a chaise at once, and women and children who
were compelled to go this way to Lincoln alone and on foot did it
with fear, and often ran a good part of the distance. Though mainly
but a humble route to neighboring villages, or for the woodman's
team, it once amused the traveller more than now by its variety, and
lingered longer in his memory. Where now firm open fields stretch
from the village to the woods, it then ran through a maple swamp on
a foundation of logs, the remnants of which, doubtless, still
underlie the present dusty highway, from the Stratton, now the
 Walden |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Tono Bungay by H. G. Wells: room one evening, simply attired in a blue wrap--the rest of her
costume behind the screen--smoking cigarettes and sharing a
flagon of an amazingly cheap and self-assertive grocer's wine
Ewart affected, called "Canary Sack." "Hullo!" said Ewart, as I
came in. "This is Milly, you know. She's been being a
model--she IS a model really.... (keep calm, Ponderevo!) Have
some sack?"
Milly was a woman of thirty, perhaps, with a broad, rather pretty
face, a placid disposition, a bad accent and delightful blond
hair that waved off her head with an irrepressible variety of
charm; and whenever Ewart spoke she beamed at him. Ewart was
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