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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Red Inn by Honore de Balzac:

through school and college? Where is Frederic?"

He wept. Can it be that we cling more to a sentiment than to life?

"Let us go in," he said; "I prefer to be in my cell. I do not wish to be seen weeping. I shall go courageously to death, but I cannot play the heroic at all moments; I own I regret my beautiful young life. All last night I could not sleep; I remembered the scenes of my childhood; I fancied I was running in the fields. Ah! I had a future," he said, suddenly interrupting himself; "and now, twelve men, a sub-lieutenant shouting 'Carry-arms, aim, fire!' a roll of drums, and infamy! that's my future now. Oh! there must be a God, or it would all be too senseless."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Tramp Abroad by Mark Twain:

fruit-peddlers and tourists carriages.

Our talk was mostly anticipatory of what we should see on the down-grade of the Bru"nig, by and by, after we should pass the summit. All our friends in Lucerne had said that to look down upon Meiringen, and the rushing blue-gray river Aar, and the broad level green valley; and across at the mighty Alpine precipices that rise straight up to the clouds out of that valley; and up at the microscopic chalets perched upon the dizzy eaves of those precipices and winking dimly and fitfully through the drifting veil of vapor; and still up and up,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

down the middle, and made it the centre-post of my bed, at which I worked till I had finished it, inlaying it with gold and silver; after this I stretched a hide of crimson leather from one side of it to the other. So you see I know all about it, and I desire to learn whether it is still there, or whether any one has been removing it by cutting down the olive tree at its roots."

When she heard the sure proofs Ulysses now gave her, she fairly broke down. She flew weeping to his side, flung her arms about his neck, and kissed him. "Do not be angry with me Ulysses," she cried, "you, who are the wisest of mankind. We have suffered,


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Jungle Tales of Tarzan by Edgar Rice Burroughs:

hunted closer and closer to Teeka in his search for food. At last he was within a few feet of her, and when he shot a covert glance at her he saw that she was appraising him and that there was no evidence of anger upon her face.

Taug expanded his great chest and rolled about on his short legs, making strange growlings in his throat. He raised his lips, baring his fangs. My, but what great, beautiful fangs he had! Teeka could not but notice them. She also let her eyes rest in admiration upon Taug's beetling brows and his short, powerful neck. What a beautiful creature he was indeed!


The Jungle Tales of Tarzan