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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Koran:

to life; and who I hope will forgive me my sins on the day of judgment! Lord, grant me judgment, and let me reach the righteous; and give me a tongue of good report amongst posterity; and make me of the heirs of the paradise of pleasure; and pardon my father, verily, he is of those who err; and disgrace me not on the day when they are raised up again; the day when wealth shall profit not, nor sons, but only he who comes to God with a sound heart. And paradise shall be brought near to the pious; and hell shall be brought forth to those who go astray, and it shall be said to them, "Where is what ye used to worship beside God? can they help you, or get help themselves?" And they shall fall headlong into it, they and those who have gone astray,


The Koran
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Meno by Plato:

What will you put forth as the subject of enquiry? And if you find what you want, how will you ever know that this is the thing which you did not know?

SOCRATES: I know, Meno, what you mean; but just see what a tiresome dispute you are introducing. You argue that a man cannot enquire either about that which he knows, or about that which he does not know; for if he knows, he has no need to enquire; and if not, he cannot; for he does not know the very subject about which he is to enquire (Compare Aristot. Post. Anal.).

MENO: Well, Socrates, and is not the argument sound?

SOCRATES: I think not.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Mountains by Stewart Edward White:

used elsewhere, and so will not repeat here.[4]

[4] See especially Jackson Himes in The Blazed Trail; and TheRawhide.

This vividness manifests itself quite as often in the selection of the apt word as in the construction of elaborate phrases with a half-humorous intention. A cowboy once told me of the arrival of a tramp by saying, "He SIFTED into camp." Could any verb be more expressive? Does not it convey exactly the lazy, careless, out-at-heels shuffling gait of the hobo? Another in the course of description told of a saloon

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Under the Andes by Rex Stout:

No time then for the decencies; we had work to do, and we crushed and pounded their lives out against the stone floor. There had not been a sound. They quivered and lay still; and then, looking up at some slight sound in the doorway, we saw Desiree.

She stood in the doorway, regarding us with an expression of terror that I did not at first understand; then suddenly I realized that, having seen us disappear beneath the surface of the take after our dive from the column, she had thought us dead.

"Bon Dieu!" she exclaimed in a hollow voice of horror. "This, too! Do you come, messieurs?"

"For you," I answered. "We are flesh and bone, Desiree,