| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Plain Tales from the Hills by Rudyard Kipling: used to call him striking and hair-curling names behind his back as
a relief to his own feelings; but he never abused him to his face,
because he said: "Riley is such a frail beast that half of his
loathsome conceit is due to pains in the chest."
Late one April, Riley went very sick indeed. The doctor punched him
and thumped him, and told him he would be better before long. Then
the doctor went to Reggie and said:--"Do you know how sick your
Accountant is?" "No!" said Reggie--"The worse the better, confound
him! He's a clacking nuisance when he's well. I'll let you take
away the Bank Safe if you can drug him silent for this hot-weather."
But the doctor did not laugh--"Man, I'm not joking," he said. "I'll
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Christ in Flanders by Honore de Balzac: tradition is mute. Let us confess at once that this tale savors
strongly of the marvelous, the mysterious, and the vague; elements
which Flemish narrators have infused into a story retailed so often to
gatherings of workers on winter evenings, that the details vary widely
in poetic merit and incongruity of detail. It has been told by every
generation, handed down by grandames at the fireside, narrated night
and day, and the chronicle has changed its complexion somewhat in
every age. Like some great building that has suffered many
modifications of successive generations of architects, some sombre
weather-beaten pile, the delight of a poet, the story would drive the
commentator and the industrious winnower of words, facts, and dates to
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