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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Russia in 1919 by Arthur Ransome:

twice as long without repetitions, and I am not at all sure that in choosing in a hurry between this and that I did not omit much which could with advantage be substituted for what is here set down. There is nothing here of my talk with the English soldier prisoners and nothing of my visit to the officers confined in the Butyrka Gaol. There is nothing of the plagues of typhus and influenza, or of the desperate situation of a people thus visited and unable to procure from abroad the simplest drugs which they cannot manufacture at home or even the anaesthetics necessary for their wounded on every frontier of their country. I forgot to describe the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Varieties of Religious Experience by William James:

attention, or going through certain bodily performances, or in other ways which manuals of mysticism prescribe; yet when the characteristic sort of consciousness once has set in, the mystic feels as if his own will were in abeyance, and indeed sometimes as if he were grasped and held by a superior power. This latter peculiarity connects mystical states with certain definite phenomena of secondary or alternative personality, such as prophetic speech, automatic writing, or the mediumistic trance. When these latter conditions are well pronounced, however, there may be no recollection whatever of the phenomenon, and it may have no significance for the subject's usual inner life, to

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

of the crops and the renovation of the tribe, and at the same time the evasion and placation of death, were all assured by similar rites and befitting ceremonial magic.[2]

[1] Gilbert Murray, Four Stages, p. 46.

[2] It is interesting to find, with regard to the renovation of the tribe, that among the Central Australians the foreskins or male members of those who died were deposited in the above-mentioned nanja spots--the idea evidently being that like the seeds of the corn the seeds of the human crop must be carefully and ceremonially preserved for their re-incarnation.


Pagan and Christian Creeds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Call of Cthulhu by H. P. Lovecraft:

he turned languidly at my knock and asked me my business without rising. Then I told him who I was, he displayed some interest; for my uncle had excited his curiosity in probing his strange dreams, yet had never explained the reason for the study. I did not enlarge his knowledge in this regard, but sought with some subtlety to draw him out. In a short time I became convinced ofhis absolute sincerity, for he spoke of the dreams in a manner none could mistake. They and their subconscious residuum had influenced his art profoundly, and he shewed me a morbid statue whose contours almost made me shake with the potency of its black suggestion. He could not recall having seen the original of this thing except


Call of Cthulhu