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Today's Stichomancy for Martin Scorsese

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Sportsman by Xenophon:

"There is no mistake about it this time,"[39] will presently of themselves start the hare and be after her full cry, with bark and clamour.[40] Thereupon, whether the hare falls into the toils of the funnel net or rushes past outside or inside, whatever incident betide, the net-keeper must with a shout proclaim the fact. Should the hare be caught, the huntsman has only to begin looking for another; if not, he must follow up the chase once more with like encouragement.

[38] Or, "whisking their tails and frisking wildly, and jostling against one another, and leaping over one another at a great rate." Al. "over one obstacle, and then another."

[39] Or, "this is the true line at last."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Options by O. Henry:

links, cinder-paths, and arenas of the civilized and vice versa places of the world?"

"Well, Ben," said I, with judicial seriousness, "I think we might safely limit the number of motives of a man who seeks fame to three-to ambition, which is a desire for popular applause; to avarice, which looks to the material side of success; and to love of some woman whom he either possesses or desires to possess."

Ben pondered over my words while a mocking-bird on the top of a mesquite by the porch trilled a dozen bars.

"I reckon," said he, "that your diagnosis about covers the case according to the rules laid down in the copy-books and historical


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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

disquieting to the four women; still, they hoped that the Auvergnat would be too late in bringing back the person who so certainly held the first place in the widow Crochard's affections. The widow, evidently in the enjoyment of a thousand crowns a year, would not have been so fondly cherished by this feminine trio, but that neither of them, nor Francoise herself knew of her having any heir. The wealth enjoyed by Mademoiselle de Bellefeuille, whom Madame Crochard, in obedience to the traditions of the older opera, never allowed herself to speak of by the affectionate name of daughter, almost justified the four women in their scheme of dividing among themselves the old woman's "pickings."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Recruit by Honore de Balzac:

recommended to her,--namely, to apply the skin of a freshly-flayed hare on the pit of the stomach, and to remain in bed without making the slightest movement for two days. This tale had prodigious success, and the doctor of Carentan, a royalist "in petto," increased its effect by the manner in which he discussed the remedy.

Nevertheless, suspicions had taken too strong a root in the minds of some obstinate persons, and a few philosophers, to be thus dispelled; so that all Madame de Dey's usual visitors came eagerly and early that evening to watch her countenance: some out of true friendship, but most of them to detect the secret of her seclusion.

They found the countess seated as usual, at the corner of the great