| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lady Baltimore by Owen Wister: abodes.
At present our company consisted of Juno; a middle-class Englishman
employed in some business capacity in town; a pair of very young
honeymooners from the "up-country"; a Louisiana poetess, who wore the
long, cylindrical ringlets of 1830, and who was attending a convention
the Daughters of Dixie; two or three males and females, best described as
et ceteras; and myself. "I shall only take a mouthful for the sake of
nourishment," Juno was announcing, "and then I shall return to his
bedside."
"Is he very suffering?" inquired the poetess, in melodious accent.
"It was an infamous onslaught," Juno replied.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin: in order to protect our eyes whilst screaming; our progenitors before us
have done the same during many generations; and though with advancing years
we easily prevent, when feeling distressed, the utterance of screams,
we cannot from long habit always prevent a slight contraction of the
above-named muscles; nor indeed do we observe their contraction in ourselves,
or attempt to stop it, if slight. But the pyramidal muscles seem
to be less under the command of the will than the other related muscles;
and if they be well developed, their contraction can be checked only by
the antagonistic contraction of the central fasciae of the frontal muscle.
The result which necessarily follows, if these fasciae contract energetically,
is the oblique drawing up of the eyebrows, the puckering of their inner ends,
 Expression of Emotion in Man and Animals |