| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Parmenides by Plato: they must be in something, must they not be in one another, the one in the
others and the others in the one, if they are to be anywhere?
That is clear.
But inasmuch as the one is in the others, the others will be greater than
the one, because they contain the one, which will be less than the others,
because it is contained in them; and inasmuch as the others are in the one,
the one on the same principle will be greater than the others, and the
others less than the one.
True.
The one, then, will be equal to and greater and less than itself and the
others?
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Figure in the Carpet by Henry James: explained it by the reflexion that she couldn't possibly have
married him for his understanding. She had married him for
something else.
He was to some extent enlightened now, but he was even more
astonished, more disconcerted: he took a moment to compare my
story with his quickened memories. The result of his meditation
was his presently saying with a good deal of rather feeble form:
"This is the first I hear of what you allude to. I think you must
be mistaken as to Mrs. Drayton Deane's having had any unmentioned,
and still less any unmentionable, knowledge of Hugh Vereker. She'd
certainly have wished it - should it have borne on his literary
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