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Today's Stichomancy for Mel Brooks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Golden Threshold by Sarojini Naidu:

To crescent honours, splendours, victories vast; Waken, O slumbering Mother and be crowned, Who once wert empress of the sovereign Past.

THE ROYAL TOMBS OF GOLCONDA

I muse among these silent fanes Whose spacious darkness guards your dust; Around me sleep the hoary plains That hold your ancient wars in trust. I pause, my dreaming spirit hears, Across the wind's unquiet tides, The glimmering music of your spears,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Autocrat of the Breakfast-Table by Oliver Wendell Holmes:

Is this: Can I keep this old arm-chair? And then his Excellency bows, As much as to say that he allows. The Vice-Gub. next is called by name; He bows like t'other, which means the same. And all the officers round 'em bow, As much as to say that THEY allow. And a lot of parchments about the chair Are handed to witnesses then and there, And then the lawyers hold it clear That the chair is safe for another year.


The Autocrat of the Breakfast-Table
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Where There's A Will by Mary Roberts Rinehart:

then he said coolly:

"The bus will be ready at two-thirty, gentlemen," and turning on his heels, went into the office and closed the door.

They scattered to their rooms in every stage of rage and excitement, and at last only Mr. Sam and I were left staring at each other. "Damned young idiot!" he said. "I wish to heavens you'd never suggested bringing him here, Minnie!"

And leaving me speechless with indignation, he trailed himself and his sheet up the stairs.

CHAPTER XXII

HOME TO ROOST

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Salammbo by Gustave Flaubert:

enormous chest, higher than a catafalque, and furnished with rings like hanging crowns. Then appeared the legion of interpreters, with their hair dressed like sphinxes, and with parrots tattooed on their breasts. Friends and slaves followed, all without arms, and in such numbers that they shouldered one another. The three long, dangerously- loaded barges advanced amid the shouts of the onlooking army.

As soon as Gisco disembarked the soldiers ran to him. He had a sort of tribune erected with knapsacks, and declared that he should not depart before he had paid them all in full.

There was an outburst of applause, and it was a long time before he was able to speak.


Salammbo