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Today's Stichomancy for Mel Gibson

The first excerpt represents the past or something you must release, and is drawn from Paradise Lost by John Milton:

To whom the Son with calm aspect and clear, Lightning divine, ineffable, serene, Made answer. Mighty Father, thou thy foes Justly hast in derision, and, secure, Laughest at their vain designs and tumults vain, Matter to me of glory, whom their hate Illustrates, when they see all regal power Given me to quell their pride, and in event Know whether I be dextrous to subdue Thy rebels, or be found the worst in Heaven. So spake the Son; but Satan, with his Powers,


Paradise Lost
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Case of The Lamp That Went Out by Grace Isabel Colbron and Augusta Groner:

"Thank you," said Muller finally, with a polite bow to the commissioner, before he bent to brush away the dust on his knees.

"Well?" asked Commissioner Holzer.

Muller smiled an embarrassed smile as he replied:

"Well ... I haven't found out anything yet except that he is dead, and that he has been shot in the back. His pockets may tell us something more."

"Yes, we can examine them at once," said the commissioner. "I have been delaying that for I wanted you here; but I had no idea that you would come so soon. I told them to fetch you if you were awake, but doubted you would be, for I know you have had no sleep

The third excerpt represents the future or something you must embrace, and is drawn from The Outlaw of Torn by Edgar Rice Burroughs:

me. Others, like thyself, have stood in my path, yet today I am here, but where are they? Dost understand me, priest?" And the old man leaned far across the table so that his eyes, burning with an insane fire of venom, blazed but a few inches from those of the priest.

Father Claude returned the look with calm level gaze.

"I understand," he said, and, rising, left the castle.

Shortly after he had reached his cottage a loud knock sounded at the door, which immediately swung open without waiting the formality of permission. Father Claude looked up to see the tall figure of Norman of


The Outlaw of Torn