| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Mistress Wilding by Rafael Sabatini: tight-pressed as though to endure some physical suffering. His face
greyed, and deep lines furrowed his brow. Thus he marched on,
mechanically, amid his marching escort, through the murky, fog-laden
night, taking no heed of the stir about them, for all Weston Zoyland
was aroused by now.
Ahead of them, and over to the east, the firing blazed and crackled,
volley upon volley, to tell them that already battle had been joined
in earnest. Monmouth's surprise had aborted, and it passed through
Wilding's mind that to a great extent he was to blame for this. But
it gave him little care.
At least his indiscretion had served the purpose of rescuing Ruth from
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Daisy Miller by Henry James: out of "Manfred," but before he had finished his quotation
he remembered that if nocturnal meditations in the Colosseum are
recommended by the poets, they are deprecated by the doctors.
The historic atmosphere was there, certainly; but the historic atmosphere,
scientifically considered, was no better than a villainous miasma.
Winterbourne walked to the middle of the arena, to take a more
general glance, intending thereafter to make a hasty retreat.
The great cross in the center was covered with shadow;
it was only as he drew near it that he made it out distinctly.
Then he saw that two persons were stationed upon the low steps which
formed its base. One of these was a woman, seated; her companion
|