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Today's Stichomancy for Michael Jordan

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Water-Babies by Charles Kingsley:

in the world which we should certainly have said were contrary to nature, if we did not see them going on under our eyes all day long. If people had never seen little seeds grow into great plants and trees, of quite different shape from themselves, and these trees again produce fresh seeds, to grow into fresh trees, they would have said, "The thing cannot be; it is contrary to nature." And they would have been quite as right in saying so, as in saying that most other things cannot be.

Or suppose again, that you had come, like M. Du Chaillu, a traveller from unknown parts; and that no human being had ever seen or heard of an elephant. And suppose that you described him to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Chessmen of Mars by Edgar Rice Burroughs:

lashings he dragged it out from beneath the trees, and, mounting to the deck tested out the various controls. The motor started at a touch and purred sweetly, the buoyancy tanks were well stocked, and the ship answered perfectly to the controls which regulated her altitude. There was nothing needed but a propellor to make her fit for the long voyage to Helium. Gahan shrugged impatiently--there must not be a propellor within a thousand haads. But what mattered it? The craft even without a propellor would still answer the purpose his plan required of it--provided the captors of Tara of Helium were a people without ships, and he had seen nothing to suggest that they had ships. The architecture


The Chessmen of Mars
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Trooper Peter Halket of Mashonaland by Olive Schreiner:

her; and the little man's voice rolled among the empty benches; but he spoke on.

"And when the service was over he went out. No elder came to the porch to greet him; but as he stood there one, he saw not whom, slipped a leaflet into his hand. He held it up, and read in the lamplight what was written on it in pencil. He crushed it up in his hand, as a man crushes that which has run a poisonous sting into him; then he dropped it on the earth as a man drops that he would forget. A fine drizzly rain was falling, and he walked up the street with his arms folded behind him, and his head bent. The people walked up the other side; and it seemed to him he was alone. But I walked behind him."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Altar of the Dead by Henry James:

speaking from abstract justice, knowing of his denial without having known Hague, should have had the imagination to say: "Ah, remember only the best of him; pity him; provide for him." To provide for him on the very ground of having discovered another of his turpitudes was not to pity but to glorify him. The more Stransom thought the more he made out that whatever this relation of Hague's it could only have been a deception more or less finely practised. Where had it come into the life that all men saw? Why had one never heard of it if it had had the frankness of honourable things? Stransom knew enough of his other ties, of his obligations and appearances, not to say enough of his general character, to be