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Today's Stichomancy for Michael Jordan

The first excerpt represents the past or something you must release, and is drawn from A Midsummer Night's Dream by William Shakespeare:

meete presently at the Palace, euery man looke ore his part: for the short and the long is, our play is preferred: In any case let Thisby haue cleane linnen: and let not him that playes the Lion, paire his nailes, for they shall hang out for the Lions clawes. And most deare Actors, eate no Onions, nor Garlicke; for wee are to vtter sweete breath, and I doe not doubt but to heare them say, it is a sweet Comedy. No more words: away, go away.

Exeunt.

Actus Quintus.

Enter Theseus, Hippolita, Egeus and his Lords.


A Midsummer Night's Dream
The second excerpt represents the present or the deciding factor of the moment, and is drawn from House of Seven Gables by Nathaniel Hawthorne:

The author needs great faith in his reader's sympathy; else he must hesitate to give details so minute, and incidents apparently so trifling, as are essential to make up the idea of this garden-life. It was the Eden of a thunder-smitten Adam, who had fled for refuge thither out of the same dreary and perilous wilderness into which the original Adam was expelled.

One of the available means of amusement, of which Phoebe made the most in Clifford's behalf, was that feathered society, the hens, a breed of whom, as we have already said, was an immemorial heirloom in the Pyncheon family. In compliance with a whim of Clifford, as it troubled him to see them in confinement,


House of Seven Gables
The third excerpt represents the future or something you must embrace, and is drawn from Domestic Peace by Honore de Balzac:

The indifference of his attitude and the rigidity of his brow betrayed his suffering. The players passed him to and fro, without paying any more attention to him than if he had been dead. The picture of the wife in tears, and the dejected, morose husband, separated in the midst of this festivity like the two halves of a tree blasted by lightning, had perhaps a prophetic significance for the Countess. She dreaded lest she here saw an image of the revenges the future might have in store for her. Her heart was not yet so dried up that the feeling and generosity were entirely excluded, and she pressed the Duchess' hand, while thanking her by one of those smiles which have a certain childlike grace.