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The excerpt represents the core issue or deciding factor on which you must meditate, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber: and enamel as the endless procession of motors flashes
past; the smartly-gowned women; the keen-eyed, nervous
men; the shrill note of the crossing policeman's whistle;
every smoke-grimed wall and pillar taking on a mysterious
shadowy beauty in the purple dusk, every unsightly blot
obscured by the kindly night. But best of all, the
fascination of the People I'd Like to Know. They pop up
now and then in the shifting crowds, and are gone the
next moment, leaving behind them a vague regret.
Sometimes I call them the People I'd Like to Know and
sometimes I call them the People I Know I'd Like, but it
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