| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Commission in Lunacy by Honore de Balzac: Madame d'Espard was preparing a covert but very real influence to
follow the public and frivolous ascendency she now owed to fashion.
Her drawing-room was acquiring political individuality: "What do they
say at Madame d'Espard's?" "Are they against the measure in Madame
d'Espard's drawing-room?" were questions repeated by a sufficient
number of simpletons to give the flock of the faithful who surrounded
her the importance of a coterie. A few damaged politicians whose
wounds she had bound up, and whom she flattered, pronounced her as
capable in diplomacy as the wife of the Russian ambassador to London.
The Marquise had indeed several times suggested to deputies or to
peers words and ideas that had rung through Europe. She had often
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adventure by Jack London: shut off their whisky. You know them--Brahms, Curtis, and Fowler.
She shipped them on the Flibberty-Gibbet along with her."
"She's the skipper of the Flibberty now," Oleson broke in. "And
she'll wreck her as sure as God didn't make the Solomons."
Dr. Welshmere tried to look shocked, but laughed again.
"She has quite a way with her," he said. "I tried to back out of
bringing the horses over. Said I couldn't charge freight, that the
Apostle was under a yacht license, that I was going around by Savo
and the upper end of Guadalcanar. But it was no use. 'Bother the
charge,' said she. 'You take the horses like a good man, and when
I float the Martha I'll return the service some day.'"
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