Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Jungle Book by Rudyard Kipling:

Magdala, and had come back again in the steamer entitled, so the soldiers said, to the Abyssinian War medal. He had seen his fellow elephants die of cold and epilepsy and starvation and sunstroke up at a place called Ali Musjid, ten years later; and afterward he had been sent down thousands of miles south to haul and pile big balks of teak in the timberyards at Moulmein. There he had half killed an insubordinate young elephant who was shirking his fair share of work.

After that he was taken off timber-hauling, and employed, with a few score other elephants who were trained to the business, in helping to catch wild elephants among the Garo hills. Elephants

The Jungle Book

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Almayer's Folly by Joseph Conrad:

that question yet, and he dared not face her. And yet he longed after her. He hesitated for years.

His hesitation was put an end to by Nina's unexpected appearance in Sambir. She arrived in the steamer under the captain's care. Almayer beheld her with surprise not unmixed with wonder. During those ten years the child had changed into a woman, black-haired, olive-skinned, tall, and beautiful, with great sad eyes, where the startled expression common to Malay womankind was modified by a thoughtful tinge inherited from her European ancestry. Almayer thought with dismay of the meeting of his wife and daughter, of what this grave girl in European clothes would think of her

Almayer's Folly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Misalliance by George Bernard Shaw:

like it? Wouldnt you rather I damned you?

PERCIVAL. Miss Tarleton--

HYPATIA. _[caressingly]_ Hypatia, Joey. Patsy, if you like.

PERCIVAL. Look here: this is no good. You want to do what you like?

HYPATIA. Dont you?

PERCIVAL. No. Ive been too well brought up. Ive argued all through this thing; and I tell you I'm not prepared to cast off the social bond. It's like a corset: it's a support to the figure even if it does squeeze and deform it a bit. I want to be free.

HYPATIA. Well, I'm tempting you to be free.

PERCIVAL. Not at all. Freedom, my good girl, means being able to

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Camille by Alexandre Dumas:

"That is not the way," I said.

"We must go and get some sweets. She asked me for some."

We went into a confectioner's in the passage de l'Opera. I would have bought the whole shop, and I was looking about to see what sweets to choose, when my friend asked for a pound of raisins glaces.

"Do you know if she likes them?"

"She eats no other kind of sweets; everybody knows it.

"Ah," he went on when we had left the shop, "do you know what kind of woman it is that I am going to introduce you to? Don't imagine it is a duchess. It is simply a kept woman, very much

Camille