Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Pathology of Lying, Etc. by William and Mary Healy:

psychiatrist who suggested that he was a case of dementia precox, but nothing in our long observation of him warrants us in such an opinion. His mental conditions and qualities seem quite unchanged in type during all the time we have known him, and instead of any deterioration there has been gradual betterment in capacities, certainly along the line of adjustment to environment. His wonderful ability to get out of trouble is evidence of these powers of adjustment, as is also, perhaps, his keen sensing of the utility of the shadier sides of politics and criminal procedure.

In work with numbers Adolf is still very poor. He is unable to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

Englishmen who had asked lightly if he did not belong to the Church of Scotland, and then had failed to be much interested by his elucidation of that nice point; it was an evil, wild, rebellious world, lying sunk in DOZENEDNESS, for nothing short of a Scots word will paint this Scotsman's feelings. And when he entered into his own house in Randolph Crescent (south side), and shut the door behind him, his heart swelled with security. Here, at least, was a citadel impregnable by right-hand defections or left-hand extremes. Here was a family where prayers came at the same hour, where the Sabbath literature was unimpeachably selected, where the guest who

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Journal of the Plague Year by Daniel Defoe:

to stop us on the highway.

Constable. We have a right to stop it up, and our own safety obliges us to it. Besides, this is not the king's highway; 'tis a way upon sufferance. You see here is a gate, and if we do let people pass here, we make them pay toll.

John. We have a right to seek our own safety as well as you, and you may see we are flying for our lives: and 'tis very unchristian and unjust to stop us.

Constable. You may go back from whence you came; we do not hinder you from that.

John. No; it is a stronger enemy than you that keeps us from doing

A Journal of the Plague Year

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

conclusion that Cyril Graham had been wrong in regarding the rival dramatist of the 80th Sonnet as Chapman. It was obviously Marlowe who was alluded to. At the time the Sonnets were written, such an expression as 'the proud full sail of his great verse' could not have been used of Chapman's work, however applicable it might have been to the style of his later Jacobean plays. No: Marlowe was clearly the rival dramatist of whom Shakespeare spoke in such laudatory terms; and that

Affable familiar ghost Which nightly gulls him with intelligence,

was the Mephistopheles of his DOCTOR FAUSTUS. No doubt, Marlowe