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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Off on a Comet by Jules Verne:

On land, as well as on sea, the remote distance had completely disappeared, and it seemed as though the globe had assumed a more decided convexity.

At the pace at which they were walking, it was very evident that the captain and his attendant would not take long to accomplish the three miles that lay between the gourbi and the place of rendezvous. They did not exchange a word, but each was conscious of an unusual buoyancy, which appeared to lift up their bodies and give as it were, wings to their feet. If Ben Zoof had expressed his sensations in words, he would have said that he felt "up to anything," and he had even forgotten to taste so much as a crust of bread, a lapse of memory of which the worthy soldier was rarely guilty.

As these thoughts were crossing his mind, a harsh bark was heard to

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

even in our own day against statesmen of the highest character. (3) While we know that in this matter there is a great gulf fixed between Greek and Christian Ethics, yet, if we would do justice to the Greeks, we must also acknowledge that there was a greater outspokenness among them than among ourselves about the things which nature hides, and that the more frequent mention of such topics is not to be taken as the measure of the prevalence of offences, or as a proof of the general corruption of society. It is likely that every religion in the world has used words or practised rites in one age, which have become distasteful or repugnant to another. We cannot, though for different reasons, trust the representations either of Comedy or Satire; and still less of Christian Apologists. (4) We observe

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Magic of Oz by L. Frank Baum:

the gold flower-pot. Then, after the smoke had disappeared into air, the Wizard called out to the prisoners:

"Are you free?"

Both Trot and Cap'n Bill tried to move their feet and failed.

"No!" they shouted in answer.

The Wizard rubbed his bald head thoughtfully and then took some other magic tools from the bag.

First he placed a little black ball in a silver pistol and shot it toward the Magic Isle. The ball exploded just over the head of Trot and scattered a thousand sparks over the little girl.

"Oh!" said the Wizard, "I guess that will set her free."


The Magic of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Death of the Lion by Henry James:

I may say - are in peculiar sympathy with Mr. Paraday's line of thought. They would greatly appreciate any expression of his views on the subject of the art he so nobly exemplifies. In addition to my connexion with the syndicate just mentioned I hold a particular commission from THE TATLER, whose most prominent department, 'Smatter and Chatter' - I dare say you've often enjoyed it - attracts such attention. I was honoured only last week, as a representative of THE TATLER, with the confidence of Guy Walsingham, the brilliant author of 'Obsessions.' She pronounced herself thoroughly pleased with my sketch of her method; she went so far as to say that I had made her genius more comprehensible