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Today's Stichomancy for Michael York

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde:

the coiner of false coin. He bids us listen to his misery; we stop, and with dry and gaping lips he tells us how he dreams day and night of the brooks of clear water that in cool dewy channels gush down the green Casentine hills. Sinon, the false Greek of Troy, mocks at him. He smites him in the face, and they wrangle. We are fascinated by their shame, and loiter, till Virgil chides us and leads us away to that city turreted by giants where great Nimrod blows his horn. Terrible things are in store for us, and we go to meet them in Dante's raiment and with Dante's heart. We traverse the marshes of the Styx, and Argenti swims to the boat through the slimy waves. He calls to us, and we reject him. When

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Montezuma's Daughter by H. Rider Haggard:

the shrouded shape of some lost child, then it is that for the first time we learn how terrible grief can be. Time, they tell us, will bring consolation, but it is false, for such sorrows time has no salves--I say it who am old--as they are so they shall be. There is no hope but faith, there is no comfort save in the truth that love which might have withered on the earth grows fastest in the tomb, to flower gloriously in heaven; that no love indeed can be perfect till God sanctifies and completes it with His seal of death.

I threw myself down there upon the desolate snows of Xaca, that none had trod before, and wept such tears as a man may weep but


Montezuma's Daughter
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Astoria by Washington Irving:

securing his own passage through their country by pretending that he, with whom they were accustomed to trade, was on his way to them with a plentiful supply of goods. He feared, too, that Crooks and M'Lellan would take this opportunity to retort upon him the perfidy which they accused him of having used, two years previously, among these very Sioux. In this respect, however, he did them signal injustice. There was no such thing as court design or treachery in their thought; but M'Lellan, when he heard that Lisa was on his way up the river, renewed his open threat of shooting him the moment he met him on Indian land.

The representations made by Crooks and M'Lellan of the treachery

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glasses by Henry James:

I even before he quitted me asked him to promise me this. "All right, I promise"--but he was gloomy enough. He was a lover facing the fact that there was no limit to the deceit his loved one was ready to practise: it made so remarkably little difference. I could see by what a stretch his passionate pity would from this moment overlook the girl's fatuity and folly. She was always accessible to him--that I knew; for if she had told him he was an idiot to dream she could dream of him, she would have rebuked the imputation of having failed to make it clear that she would always be glad to regard him as a friend. What were most of her friends-- what were all of them--but repudiated idiots? I was perfectly